Rundschlag-Disc 11-12 (G) (Face B) (19xx) [COMPILATION] [Bugs].dsk
HexaDumpAscii only
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001E00: EB ED B0 E1 18 B7 D6 F0 20 0C 7E 23 C6 51 4F 06 ........ .~#.QO.
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0022E0: 54 5D 29 29 29 B7 ED 52 22 C2 83 3E 06 91 32 C8 T])))..R"..>..2.
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0082C0: 3F C9 FE 7F 20 2A 3A B6 47 B7 28 E7 2A B7 47 3D ?... *:.G.(.*.G=
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0082F0: CD E5 3C 21 64 48 34 35 28 B9 BE 23 20 F8 5F 3A ..<!dH45(..# ._:
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008310: B6 47 C3 6A 45 FD 07 6A 45 FD 0A 80 45 11 B7 C9 .G.jE..jE...E...
008320: 87 6F 87 85 6F 26 00 C9 CD A6 3D 21 13 51 11 9A .o..o&....=!.Q..
008330: FD 0A AC 44 04 C3 92 BC 21 D1 FD 17 0A 29 20 C8 ...D....!....) .
008340: CD E5 3C 32 FD 4D CD EE 3C 30 EF F5 3A FD 4D 01 ..<2.M..<0..:.M.
008350: 00 0A 11 CC C2 CD 5E 43 F1 37 C9 01 01 00 00 01 ......^C.7......
008360: 54 39 6D 46 00 01 67 46 00 00 64 46 00 00 6E 46 T9mF..gF..dF..nF
008370: 01 63 01 48 44 69 67 69 2D 54 72 61 63 6B 65 72 .c.HDigi-Tracker
008380: 20 53 6F 6E 67 2D 44 75 6D 70 20 2D 20 4D 61 64 Song-Dump - Mad
008390: 65 20 77 69 74 68 20 44 69 67 69 74 FD 07 75 46 e with Digit..uF
0083A0: 50 0C 0D 0A 0A 53 6F 6E 67 6E 61 6D 65 3A 20 55 P....Songname: U
0083B0: 02 0D 0A 0A FD 07 9D 33 0C 20 2D 2D 20 20 20 4C .......3. -- L
0083C0: 6F 6F 70 20 74 6F FD 07 BF 46 04 53 70 65 65 64 oop to...F.Speed
0083D0: FD 07 CD 46 2A 54 72 61 6E 73 70 6F 73 65 3A 20 ...F*Transpose:
0083E0: 2D 2D 0D 0A 0A 53 61 6D 70 6C 65 2D 4C 69 73 74 --...Sample-List
0083F0: 3A 0D 0A 0A 00 20 2D 20 3A 20 4E 61 6D 65 3A 20 :.... - : Name:
008400: A4 2D A0 20 FD 08 B9 46 A0 2D A0 20 09 52 65 70 .-. ...F.-. .Rep
008410: 53 74 61 72 74 3A 20 A0 2D A0 20 07 52 65 70 4C Start: .-. .RepL
008420: 65 6E 3A 20 A0 2D 07 0D 0A 00 0A 53 6F 6E 67 FD en: .-.....Song.
008430: 06 F6 46 15 0A 0D 0A 00 2D 2D 20 28 2D 2D 29 20 ..F.....-- (--)
008440: 20 20 00 50 61 74 74 65 72 6E FD 07 E9 46 0C 00 .Pattern...F..
008450: 2D 2D 20 20 3A 20 20 2D 2D 2D 20 20 A0 2D A0 20 -- : --- .-.
008460: FD 05 7E 47 FD 06 C7 2E F1 1D 0D 8B 47 A0 2D 01 ..~G........G.-.
008470: 0D 0A 52 13 51 46 00 01 AC 57 00 0C A9 57 01 60 ..R.QF...W...W.`
008480: 3F 48 00 07 AE 57 00 3F 53 31 4A C2 5E C2 6A C2 ?H...W.?S1J.^.j.
008490: 76 C2 00 56 C6 5A C6 5E C6 60 C6 62 C6 64 C6 6A v..V.Z.^.`.b.d.j
0084A0: C6 6E C6 72 C6 74 C6 76 C6 78 C6 7E C6 82 C6 86 .n.r.t.v.x.~....
0084B0: C6 88 C6 8A C6 8C C6 00 44 43 3D 43 54 06 53 6E ........DC=CT.Sn
0084C0: 67 50 6F 73 3A FD 07 C3 46 14 54 6F 3A 20 20 20 gPos:...F.To:
0084D0: 4F 75 74 20 41 74 3A 00 50 61 74 74 72 6E 3A FD Out At:.Pattrn:.
0084E0: 09 D1 46 A0 20 FD 06 F0 46 12 3A 00 4C 65 6E 67 ..F. ...F.:.Leng
0084F0: 74 68 3A 20 20 20 48 65 69 67 68 74 3A 50 1E 1A th: Height:P..
008500: 0B 02 00 1A 06 03 00 1A 12 09 00 1A 08 04 0D 00 ................
008510: 01 03 00 1A 14 0A 00 18 0F 06 00 11 08 04 51 F1 ..............Q.
008520: B5 01 30 31 32 33 34 35 36 37 38 39 41 42 43 44 ..0123456789ABCD
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008550: 00 30 30 30 31 30 32 30 33 30 34 30 35 30 36 30 .000102030405060
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0085F0: 39 38 30 38 31 38 32 38 33 38 34 38 35 38 36 38 9808182838485868
008600: 54 72 61 63 6B 2D 49 6E 66 6F 0D 0A 00 00 00 00 Track-Info......
008610: 07 00 01 00 02 09 4E E5 07 00 C1 02 00 00 00 02 ......N.........
008620: 07 00 C2 02 00 00 00 02 07 00 C3 02 00 00 00 02 ................
008630: 07 00 C4 02 00 00 00 02 07 00 C5 02 00 00 00 02 ................
008640: 07 00 C6 02 00 00 00 02 07 00 C7 02 00 00 00 02 ................
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008750: 23 31 20 45 2D 31 20 46 2D 31 20 46 23 31 20 47 #1 E-1 F-1 F#1 G
008760: 2D 31 20 47 23 31 20 41 2D 31 20 41 23 31 20 42 -1 G#1 A-1 A#1 B
008770: 2D 31 20 43 2D 32 20 43 23 32 20 44 2D 32 20 44 -1 C-2 C#2 D-2 D
008780: 23 32 20 45 2D 32 20 46 2D 32 20 46 23 32 20 47 #2 E-2 F-2 F#2 G
008790: 2D 32 20 47 23 32 20 41 2D 32 20 41 23 32 20 42 -2 G#2 A-2 A#2 B
0087A0: 2D 32 20 43 2D 33 20 43 23 33 20 44 2D 33 20 44 -2 C-3 C#3 D-3 D
0087B0: 23 33 20 45 2D 33 20 46 2D 33 20 46 23 33 20 47 #3 E-3 F-3 F#3 G
0087C0: 2D 33 20 47 23 33 20 41 2D 33 20 41 23 33 20 42 -3 G#3 A-3 A#3 B
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0087F0: 42 31 43 31 44 31 45 31 46 FD 14 BB 48 0B 32 41 B1C1D1E1F...H.2A
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008820: 34 41 34 42 34 43 34 44 34 45 34 46 FD 14 F7 48 4A4B4C4D4E4F...H
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008980: 1A 1A 1A 19 19 19 18 18 18 A0 17 A0 16 00 15 50 ...............P
008990: F1 52 01 01 00 02 00 03 00 04 00 05 01 00 01 01 .R..............
0089A0: 01 02 01 03 01 04 01 05 02 00 02 01 02 02 02 03 ................
0089B0: 02 04 02 05 51 28 00 25 28 00 19 28 01 04 28 01 ....Q(.%(..(..(.
0089C0: 19 28 02 04 28 02 51 28 03 25 28 03 19 28 04 04 .(..(.Q(.%(..(..
0089D0: 28 04 19 28 05 04 28 05 51 28 06 25 28 06 19 28 (..(..(.Q(.%(..(
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008A00: 63 00 6C 00 75 00 7E 00 87 00 90 00 99 00 A2 00 c.l.u.~.........
008A10: AB 00 B4 00 BD 00 C6 00 CF 00 D8 00 E1 00 EA 00 ................
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008A30: 3B 01 44 01 4D 01 56 01 5F 01 68 01 71 01 7A 01 ;.D.M.V._.h.q.z.
008A40: 83 01 8C 01 95 01 9E 01 A7 01 B0 01 B9 01 C2 01 ................
008A50: CB 01 D4 01 DD 01 E6 01 EF 01 F8 01 01 02 0A 02 ................
008A60: 13 02 1C 02 25 02 2E 02 37 02 40 02 49 02 52 02 ....%...7.@.I.R.
008A70: 5B 02 64 02 6D 02 76 02 7F 02 88 02 91 02 9A 02 [.d.m.v.........
008A80: A3 02 AC 02 B5 02 BE 02 C7 02 D0 02 D9 02 E2 02 £...............
008A90: EB 02 F4 02 FD 02 06 03 0F 03 18 03 21 03 2A 03 ............!.*.
008AA0: 33 03 3C 03 45 03 4E 03 57 03 60 03 69 03 72 03 3.<.E.N.W.`.i.r.
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008AD0: 39 4F 30 50 44 72 69 76 65 20 20 2C 20 55 73 65 9O0PDrive , Use
008AE0: 72 20 20 20 00 A4 20 1C 2E 20 20 20 00 53 4D 50 r .. .. .SMP
008AF0: 44 54 2D 53 41 4D 50 31 4D 44 4C 2C 20 58 58 20 DT-SAMP1MDL, XX
008B00: 46 69 6C 65 73 5A 28 08 44 69 73 63 6F 70 2E 20 FilesZ(.Discop.
008B10: 50 6C 61 79 53 6F 6E 67 50 6C 61 79 50 61 74 2E PlaySongPlayPat.
008B20: 45 64 69 74 53 6F 6E 67 53 6F 6E 67 4C 69 73 74 EditSongSongList
008B30: FD 06 25 48 4D 73 20 50 72 69 6E 74 20 20 20 4F ..%HMs Print O
008B40: 74 68 65 72 73 20 20 9C 2E B3 28 A7 2E F8 2E D2 thers ...(.....
008B50: 24 B5 2B 38 35 CD 2F 18 2F 00 08 4C 6F 61 64 53 $.+85././..LoadS
008B60: 6F 6E 67 53 61 76 65 53 6F 6E 67 4C 6F 61 64 53 ongSaveSongLoadS
008B70: 61 6D 70 53 61 76 65 53 61 6D 70 45 72 61 73 65 ampSaveSampErase
008B80: 20 20 20 FD 06 C0 4D 00 41 FD 07 7F 4E 05 42 20 ...M.A...N.B
008B90: 55 73 65 72 A0 20 3B 83 2E 96 2A FC 2A F4 29 55 User. ;...*.*.)U
008BA0: 29 02 29 C2 28 C8 28 CC 28 00 05 53 65 74 75 70 ).).(.(.(..Setup
008BB0: 20 20 20 4D 65 6D 6F 72 79 20 20 43 6C 72 2E 41 Memory Clr.A
008BC0: 6C 6C 20 43 6C 72 2E 50 61 74 74 43 6C 72 2E 53 ll Clr.PattClr.S
008BD0: 61 6D 70 B4 20 10 83 2E BB 2F 24 2F 8B 2B 97 2B amp. ..../$/.+.+
008BE0: A3 2B 00 08 43 75 74 A1 20 FD 06 8C 33 01 20 20 £+..Cut. ...3.
008BF0: FD 07 A5 33 03 20 4D 69 78 A1 20 0B 42 61 63 6B ...3. Mix. .Back
008C00: 77 61 72 64 45 63 68 6F A0 20 25 55 6E 69 74 65 wardEcho. %Unite
008C10: 20 20 20 53 6D 6F 6F 74 68 20 20 3F 35 A3 37 25 Smooth ?5£7%
008C20: 38 CE 38 4F 38 99 38 01 3A 85 39 AB 39 00 02 4E 8.8O8.8.:.9.9..N
008C30: 6F A2 20 02 59 65 73 A9 20 06 52 65 61 6C 6C 79 o. .Yes. .Really
008C40: 3F BD 20 0C 47 3C 47 3C 45 3C 51 75 69 74 20 44 ?. .G<G<E<Quit D
008C50: 54 FD 11 BB 4E 07 41 6C 6C 53 61 6D 70 2E FD 07 T...N.AllSamp...
008C60: B4 4E 04 46 75 6C 6C 21 AC 20 07 00 53 65 6C 65 .N.Full!. ..Sele
008C70: 63 74 20 FD 07 F0 46 11 4E 75 6D 62 65 72 20 28 ct ...F.Number (
008C80: 30 2D 46 29 3A 00 43 6C 65 61 FD 06 7A 46 05 28 0-F):.Clea..zF.(
008C90: 31 29 20 6F 72 FD 07 D7 4F 04 28 32 29 3A 00 FD 1) or...O.(2):..
008CA0: 09 A4 46 0A 00 C0 C0 0F 45 64 3A 50 6C 61 79 FD ..F.....Ed:Play.
008CB0: 07 2C 4E 07 3A 10 C1 0F 53 6F 6E 67 FD 0B DF 46 .,N.:...Song...F
008CC0: 02 60 C1 0F FD 07 62 47 FD 08 16 47 0A B0 C1 0F .`....bG...G....
008CD0: 50 61 6C 65 74 74 65 20 FD 06 DF 4F 1A 3A 00 C2 Palette ...O.:..
008CE0: 0F 52 65 73 4E 6F 74 65 20 41 74 20 56 6F 6C 3A .ResNote At Vol:
008CF0: BE C0 11 50 72 69 6E 74 FD 07 7B 46 07 61 74 61 ...Print..{F.ata
008D00: 73 3A 0E C1 0E FD 06 BC 33 FD 08 62 47 04 5E C1 s:......3..bG.^.
008D10: 0D 4C 61 FD 0B 87 50 10 AE C1 0B 4C 69 6E 65 73 .La...P....Lines
008D20: 2F 50 61 67 65 3A B8 C0 1A FD 07 D8 4F FD 07 B4 /Page:......O...
008D30: 4F 06 55 53 45 44 3A 20 23 A0 20 0A 42 24 C1 0C O.USED: #. .B$..
008D40: 46 52 45 45 3A 20 23 A0 20 03 42 AA C1 19 FD 07 FREE: #. .B.....
008D50: 9A 50 0C 64 61 74 61 73 20 6E 65 65 64 3A 20 23 .P.datas need: #
008D60: A0 20 F1 D9 01 42 48 C2 18 53 6F 6E 67 20 6E 65 . ...BH..Song ne
008D70: 65 64 73 20 20 20 4B 42 20 6F 6E 20 44 69 73 63 eds KB on Disc
008D80: 2E 42 52 45 41 4B 3A 44 69 73 63 20 45 72 72 6F .BREAK:Disc Erro
008D90: 72 21 00 48 41 4C 46 20 56 4F 4C 53 45 54 20 56 r!.HALF VOLSET V
008DA0: 4F 4C 4D 48 41 4C 46 20 4C 45 4E 2B 23 20 20 2D OLMHALF LEN+# -
008DB0: 23 20 20 20 2E 2A 2B 2B 20 44 49 47 49 54 52 41 # .*++ DIGITRA
008DC0: 43 4B 45 52 20 56 45 52 53 49 4F 4E 20 31 2E 33 CKER VERSION 1.3
008DD0: 20 8B 20 31 36 20 4B 48 5A 2C 20 33 20 43 48 41 . 16 KHZ, 3 CHA
008DE0: 4E 4E 45 4C 53 2C 20 38 20 42 49 54 20 2B FF 90 NNELS, 8 BIT +..
008DF0: 53 59 4D 42 49 4F 53 49 53 20 50 52 4F 44 55 43 SYMBIOSIS PRODUC
008E00: 54 49 4F 4E 20 2F 20 57 52 49 54 54 45 4E 20 31 TION / WRITTEN 1
008E10: 39 39 33 20 42 59 20 50 52 4F 44 41 54 52 4F 4E 993 BY PRODATRON
008E20: FF FF D6 20 47 45 4E 45 52 41 4C 20 4B 45 59 53 ... GENERAL KEYS
008E30: 20 D6 FF 43 55 52 53 4F 52 8D 43 48 4F 4F 53 45 ..CURSOR.CHOOSE
008E40: 90 52 45 54 2F 43 4F 50 59 2F 53 50 41 43 45 8D .RET/COPY/SPACE.
008E50: 53 45 4C 45 43 54 90 45 53 43 8D 45 58 49 54 FF SELECT.ESC.EXIT.
008E60: A4 28 54 41 42 20 41 54 20 45 56 45 52 59 20 54 .(TAB AT EVERY T
008E70: 49 4D 45 20 54 4F 20 53 45 54 20 50 41 52 41 4D IME TO SET PARAM
008E80: 45 54 45 52 53 2E 29 FF FF 20 53 3D 53 48 49 46 ETERS.).. S=SHIF
008E90: 54 2C 20 43 3D 43 4F 4E 54 52 4F 4C 2C 20 55 3D T, C=CONTROL, U=
008EA0: 43 55 52 2E 20 55 50 2C 20 44 3D 44 4F 57 4E 2C CUR. UP, D=DOWN,
008EB0: 20 4C 3D 4C 45 46 54 2C 20 52 3D 52 49 47 48 54 L=LEFT, R=RIGHT
008EC0: 00 44 45 4C 95 43 4C 45 41 52 20 4B 45 59 88 55 .DEL.CLEAR KEY.U
008ED0: 2F 44 2B 43 2E 49 4E 43 2F 44 45 43 20 48 41 4C /D+C.INC/DEC HAL
008EE0: 46 88 52 45 54 91 4A 55 4D 50 20 50 4F 53 20 30 F.RET.JUMP POS 0
008EF0: FF 43 4C 52 8D 53 45 54 20 53 54 4F 50 50 45 52 .CLR.SET STOPPER
008F00: 88 31 2B 53 99 43 55 54 20 56 4F 49 43 45 88 43 .1+S.CUT VOICE.C
008F10: 4F 4D 4D 41 4E 44 53 3A 30 2D 41 52 50 45 47 2E OMMANDS:0-ARPEG.
008F20: FF 55 2F 44 2B 53 2E 49 4E 53 2F 44 45 4C 20 50 .U/D+S.INS/DEL P
008F30: 4F 53 88 32 2B 53 89 43 55 54 2B 43 4C 52 FD 07 OS.2+S.CUT+CLR..
008F40: 9A 52 28 31 2F 32 2D 53 4C 49 44 45 20 33 2D 50 .R(1/2-SLIDE 3-P
008F50: 4F 52 54 2E FF 4C 2F 52 2B 53 95 50 41 54 54 45 ORT..L/R+S.PATTE
008F60: 52 4E 88 33 2B 53 91 50 41 53 54 45 FD 07 D0 52 RN.3+S.PASTE...R
008F70: 26 34 2D 56 49 42 52 2E 20 39 2D 53 4D 50 2D 4F &4-VIBR. 9-SMP-O
008F80: 46 53 FF 46 35 2F 46 38 99 53 41 4D 50 4C 45 88 FS.F5/F8.SAMPLE.
008F90: 34 2F 35 2F 36 2B 53 91 FD 08 EF 52 F0 27 42 2D 4/5/6+S....R.'B-
008FA0: 4A 55 4D 50 20 44 2D 42 52 45 41 4B 20 46 2D FF JUMP D-BREAK F-.
008FB0: 46 36 2F 46 39 99 4F 43 54 41 56 45 88 37 2B 53 F6/F9.OCTAVE.7+S
008FC0: 95 50 4F 53 20 54 4F 20 42 55 46 88 53 50 45 45 .POS TO BUF.SPEE
008FD0: 44 20 45 31 2F 32 2D 46 53 4C 49 44 45 FF 43 4F D E1/2-FSLIDE.CO
008FE0: 50 59 28 2B 53 29 2E 54 45 53 54 20 50 41 54 88 PY(+S).TEST PAT.
008FF0: 38 2B 53 95 42 55 46 20 54 4F 20 50 4F 53 88 45 8+S.BUF TO POS.E
009000: 44 2F 45 2D 4E 4F 54 2F 50 41 54 44 45 4C 41 59 D/E-NOT/PATDELAY
009010: FF 45 4E 54 45 52 A0 2E FD 06 7F 53 34 4F 53 88 .ENTER.....S4OS.
009020: 30 2B 53 99 52 45 53 45 54 20 42 55 46 88 45 35 0+S.RESET BUF.E5
009030: 2F 36 2D 4C 4F 4F 50 20 45 34 2D 56 49 42 46 00 /6-LOOP E4-VIBF.
009040: 2A 53 4F 4E 47 4C 49 53 54 45 44 49 54 4F 52 2A *SONGLISTEDITOR*
009050: FF FF FD 06 B2 52 06 2F 43 99 53 45 54 FF FD 07 .....R./C.SET...
009060: DC 51 06 57 41 50 20 50 2F 48 FD 06 E8 52 00 91 .Q.WAP P/H...R..
009070: FD 07 B9 52 2B FF 44 45 4C 95 53 45 54 20 54 4F ...R+.DEL.SET TO
009080: 20 30 FF 52 45 54 89 53 4F 4E 47 20 4C 45 4E 47 0.RET.SONG LENG
009090: 48 54 FF 43 4F 50 59 95 4C 4F 4F 50 20 54 4F 00 HT.COPY.LOOP TO.
0090A0: 86 FD 06 1F 53 FD 06 E4 53 13 86 FF FF FF 52 45 ....S...S.....RE
0090B0: 54 A9 53 45 54 FF 44 45 4C A1 52 45 53 45 FD 06 T.SET.DEL.RESE..
0090C0: 32 54 0A 89 54 45 53 54 20 53 41 4D 50 2E FD 06 2T..TEST SAMP...
0090D0: A8 53 04 85 43 4F 50 59 FD 06 6D 54 FD 06 F9 53 .S..COPY..mT...S
0090E0: 26 99 54 4F 4F 4C 53 00 50 4C 41 59 49 4E 47 20 &.TOOLS.PLAYING
0090F0: 53 4F 4E 47 8D 88 50 52 45 53 53 20 45 53 43 20 SONG..PRESS ESC
009100: 54 4F 20 53 54 4F 50 2E FD 09 90 54 FD 07 2E 53 TO STOP....T...S
009110: FD 15 9D 54 18 2A 88 53 4F 4E 47 20 50 52 49 4E ...T.*.SONG PRIN
009120: 54 88 2A FF FF FF 4C 2F 52 28 2B 53 29 89 FD 07 T.*...L/R(+S)...
009130: 09 52 00 FF FD 0A D7 51 16 2F 52 45 54 89 FF 99 .R.....Q./RET...
009140: 50 52 49 4E 54 20 53 4F 4E 47 00 50 52 49 4E 54 PRINT SONG.PRINT
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009220: 80 FD 06 B2 56 FD 06 FE 56 08 00 60 10 C0 70 00 ....V...V..`..p.
009230: C0 60 F0 FD 0B 1D 57 00 00 FD 08 09 57 16 C0 30 .`....W.....W..0
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009260: F0 C0 FD 08 08 57 03 F0 E0 C0 60 FD 09 80 56 50 .....W....`...VP
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009280: 00 60 00 C0 70 80 53 03 FD 06 87 3B 01 E8 56 FD .`..p.S....;..V.
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0092A0: 56 53 01 70 E0 51 01 70 E0 51 FD 06 C6 57 FD 07 VS.p.Q.p.Q...W..
0092B0: C0 57 50 FD 05 A8 56 02 60 00 C0 FD 06 B6 57 FD .WP...V.`.....W.
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009310: F0 E0 FD 0E 4E 58 00 C0 50 FD 07 30 58 00 E0 FD ....NX..P..0X...
009320: 07 92 57 02 00 C0 60 FD 09 14 58 FD 06 5B 56 00 ..W...`...X..[V.
009330: C0 FD 0A 10 56 0A 30 C0 00 00 10 E0 00 60 00 60 ....V.0......`.`
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009380: 58 FD 07 A7 58 FD 08 1E 58 FD 07 66 58 50 FD 0F X...X...X..fXP..
009390: F0 58 FD 08 25 58 FD 07 11 59 FD 06 EE 57 FD 06 .X..%X...Y...W..
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0093F0: FD 07 C9 58 05 30 C0 30 00 30 00 FD 06 78 57 04 ...X.0.0.0...xW.
009400: 30 C0 00 00 C0 FD 0A C5 57 05 60 00 20 00 00 30 0.......W.`. ..0
009410: FD 0B C0 58 04 30 C0 00 00 10 FD 07 0F 58 63 01 ...X.0.......Xc.
009420: F0 F0 FD 06 C4 59 5B 05 70 C0 00 60 70 E0 FD 07 .....Y[.p..`p...
009430: 7A 58 FD 09 63 57 03 E0 60 D0 C0 53 FD 08 30 58 zX..cW..`..S..0X
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009450: 60 53 05 70 C0 C0 60 F0 E0 FD 06 3A 5A 04 10 E0 `S.p..`....:Z...
009460: 30 00 70 FD 08 B1 59 54 01 70 E0 FD 07 48 5A 01 0.p...YT.p...HZ.
009470: 60 70 FD 06 57 58 FD 09 11 59 FD 06 FA 57 00 30 `p..WX...Y...W.0
009480: FD 09 95 58 50 03 C0 00 00 10 FD 09 D3 59 13 70 ...XP........Y.p
009490: 80 60 00 60 00 60 60 60 C0 70 80 60 C0 60 60 00 .`.`.```.p.`.``.
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0094C0: FD 06 28 5A 02 C0 00 C0 52 FD 0A 74 5A 01 00 60 ..(Z....R..tZ..`
0094D0: 51 02 D0 E0 E0 FD 06 A8 5A 54 03 70 C0 C0 00 FD Q.......ZT.p....
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009500: 59 53 FD 08 72 59 01 60 C0 53 FD 0A 82 59 53 01 YS..rY.`.S...YS.
009510: C0 60 FD 0A 76 5A 51 00 F0 FD 07 A3 59 01 F0 C0 .`..vZQ....£Y...
009520: 50 00 C0 FD 06 BA 57 01 10 80 FD 06 02 5A FD 08 P.....W......Z..
009530: 98 59 FD 08 98 59 FD 06 B6 5B FD 07 B0 5B 50 03 .Y...Y...[...[P.
009540: 70 60 D0 80 79 15 01 08 01 08 01 08 01 08 01 08 p`..y...........
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0095E0: 08 01 08 50 01 02 00 FD 08 53 5C 01 00 0C 50 0C ...P.....S\...P.
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0098C0: 54 03 07 0C 0C 00 FD 06 1C 5F 07 00 00 03 00 03 T........_......
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009B10: 11 B2 64 11 04 0F 81 FF 03 88 04 0F 81 FF 03 00 ..d.............
009B20: 04 0F 81 FF 03 00 FD 06 59 65 FD 06 59 65 39 03 ........Ye..Ye9.
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009B40: 08 0B 08 0F FF 03 00 85 03 0F 01 0F FF 03 00 03 ................
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01B400: 00 50 52 4F 54 52 20 20 20 44 4F 30 00 00 00 00 .PROTR DO0....
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01B420: 43 72 6F 77 6E FE 00 00 00 00 00 00 00 00 00 00 Crown...........
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01B4A0: 20 20 20 20 50 52 4F 54 52 41 43 4B 45 52 20 31 PROTRACKER 1
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01B4C0: 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 20 20 --------------
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01B510: 20 20 20 20 20 20 28 43 29 31 39 39 33 20 42 59 (C)1993 BY
01B520: 20 20 20 20 20 20 20 20 20 20 20 20 41 4E 44 52 ANDR
01B530: 45 41 53 20 22 43 52 4F 57 4E 22 20 57 49 4E 54 EAS "CROWN" WINT
01B540: 45 52 20 20 20 20 20 20 20 20 20 20 50 55 42 4C ER PUBL
01B550: 49 43 20 44 4F 4D 41 49 4E 20 20 20 20 20 20 20 IC DOMAIN
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01B580: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01B590: 20 20 20 20 20 20 20 20 20 55 53 45 20 20 43 55 USE CU
01B5A0: 52 53 4F 52 20 20 4C 45 46 54 2F 52 49 47 48 54 RSOR LEFT/RIGHT
01B5B0: 20 20 20 54 4F 53 45 4C 45 43 54 20 20 54 4F 50 TOSELECT TOP
01B5C0: 49 43 2C 20 20 41 4E 44 20 20 55 50 2F 44 4F 57 IC, AND UP/DOW
01B5D0: 4E 54 4F 20 20 52 45 41 44 20 20 41 42 4F 55 54 NTO READ ABOUT
01B5E0: 20 20 54 48 41 54 20 54 4F 50 49 43 2E 50 52 45 THAT TOPIC.PRE
01B5F0: 53 53 20 45 53 43 20 54 4F 20 45 58 49 54 20 48 SS ESC TO EXIT H
01B600: 54 72 61 63 6B 2D 49 6E 66 6F 0D 0A 00 00 00 00 Track-Info......
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01B700: 45 4C 50 53 43 52 45 45 4E 20 20 20 20 20 20 20 ELPSCREEN
01B710: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01B720: 20 20 20 20 20 53 4F 4D 45 20 54 45 43 48 4E 49 SOME TECHNI
01B730: 43 41 4C 20 49 4E 46 4F 3A 20 20 20 20 20 20 20 CAL INFO:
01B740: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01B750: 20 20 20 20 20 20 20 20 20 20 20 20 20 53 4F 55 SOU
01B760: 52 43 45 43 4F 44 45 3A 20 35 38 4B 2F 35 34 35 RCECODE: 58K/545
01B770: 36 20 4C 49 4E 45 53 20 20 20 20 41 53 4D 20 54 6 LINES ASM T
01B780: 49 4D 45 3A 20 32 2E 35 31 20 4D 49 4E 55 54 45 IME: 2.51 MINUTE
01B790: 53 20 20 20 20 20 57 4F 52 4B 20 54 49 4D 45 3A S WORK TIME:
01B7A0: 20 34 20 48 41 52 44 20 57 45 45 4B 53 20 20 20 4 HARD WEEKS
01B7B0: 20 20 20 50 41 54 54 45 52 4E 53 3A 20 35 36 20 PATTERNS: 56
01B7C0: 20 20 20 20 20 20 20 20 20 20 20 20 20 53 41 4D SAM
01B7D0: 50 4C 45 44 41 54 41 3A 20 23 44 39 30 30 20 20 PLEDATA: #D900
01B7E0: 20 20 20 20 20 20 20 20 20 20 53 41 4D 50 2E 52 SAMP.R
01B7F0: 41 54 45 3A 20 31 38 31 20 28 4D 45 54 48 4F 44 ATE: 181 (METHOD
01B800: 20 31 29 20 20 20 53 41 4D 50 2E 52 41 54 45 3A 1) SAMP.RATE:
01B810: 20 33 32 33 20 28 4D 45 54 48 4F 44 20 32 29 20 323 (METHOD 2)
01B820: 20 20 53 41 4D 50 2E 52 41 54 45 3A 20 34 32 39 SAMP.RATE: 429
01B830: 20 28 44 49 47 49 42 4C 41 53 54 45 52 20 41 53 (DIGIBLASTER AS
01B840: 53 45 4D 42 4C 45 52 3A 20 4D 41 58 41 4D 20 31 SEMBLER: MAXAM 1
01B850: 2E 35 20 52 4F 4D 20 20 20 20 20 20 20 45 44 49 .5 ROM EDI
01B860: 54 4F 52 3A 20 50 52 4F 54 45 58 54 20 31 2E 32 TOR: PROTEXT 1.2
01B870: 32 20 52 4F 4D 20 20 20 20 20 20 20 20 20 20 20 2 ROM
01B880: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01B890: 20 54 48 49 53 20 50 52 4F 47 52 41 4D 20 55 53 THIS PROGRAM US
01B8A0: 45 53 20 54 48 45 20 20 20 20 20 20 20 4D 41 58 ES THE MAX
01B8B0: 49 4D 55 4D 20 50 4F 57 45 52 20 4F 46 20 59 4F IMUM POWER OF YO
01B8C0: 55 52 20 43 50 43 2E 20 20 4F 54 48 45 52 20 48 UR CPC. OTHER H
01B8D0: 49 47 48 2D 54 45 43 48 20 50 52 4F 44 55 43 54 IGH-TECH PRODUCT
01B8E0: 53 20 20 20 20 42 59 20 43 52 4F 57 4E 3A 20 20 S BY CROWN:
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01B900: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01B910: 20 20 20 20 20 20 20 20 20 20 20 20 20 43 52 49 CRI
01B920: 4D 45 20 31 2E 38 20 20 20 20 20 20 20 20 20 20 ME 1.8
01B930: 20 20 20 20 20 20 20 20 20 42 41 44 20 4D 41 47 BAD MAG
01B940: 20 32 20 20 20 20 20 20 20 20 20 20 20 20 20 20 2
01B950: 20 20 20 20 20 43 52 55 4E 43 48 45 52 20 31 2E CRUNCHER 1.
01B960: 34 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 4
01B970: 20 53 55 50 45 52 4D 4F 4E 49 54 4F 52 20 31 2E SUPERMONITOR 1.
01B980: 34 2B 20 20 20 20 20 20 20 20 20 20 20 54 55 52 4+ TUR
01B990: 42 4F 20 49 4D 50 4C 4F 44 45 52 20 31 2E 31 20 BO IMPLODER 1.1
01B9A0: 20 20 20 20 20 20 20 20 20 41 4D 49 47 41 2D 4D AMIGA-M
01B9B0: 53 44 4F 53 2D 43 50 43 20 43 4F 50 59 20 31 2E SDOS-CPC COPY 1.
01B9C0: 32 20 20 20 20 50 52 4F 54 52 41 43 4B 45 52 20 2 PROTRACKER
01B9D0: 4D 4F 44 20 43 4F 4E 56 45 52 54 20 31 2E 30 2B MOD CONVERT 1.0+
01B9E0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01B9F0: 20 20 20 20 20 20 20 20 20 20 20 20 20 41 54 54 ATT
01BA00: 45 4E 54 49 4F 4E 3A 20 54 48 45 20 4C 45 47 45 ENTION: THE LEGE
01BA10: 4E 44 41 52 59 20 20 20 20 27 54 48 52 49 4C 4C NDARY 'THRILL
01BA20: 45 52 20 4F 46 20 43 41 44 4A 4F 20 43 4C 41 4E ER OF CADJO CLAN
01BA30: 27 20 20 20 20 57 49 4C 4C 20 4E 4F 57 20 48 4F ' WILL NOW HO
01BA40: 50 45 46 55 4C 4C 59 20 43 4F 4E 54 49 4E 55 45 PEFULLY CONTINUE
01BA50: 20 54 48 45 20 22 42 41 44 20 4D 41 47 22 20 28 THE "BAD MAG" (
01BA60: 49 53 53 55 45 20 33 29 2E 20 20 20 20 49 27 4D ISSUE 3). I'M
01BA70: 20 56 45 52 59 20 53 4F 52 52 59 20 46 4F 52 20 VERY SORRY FOR
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01CCA0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
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01CDC0: 20 20 20 20 20 20 20 20 20 20 20 20 20 54 4F 20 TO
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01CDF0: 57 20 41 4C 42 55 4D 20 27 4F 46 46 27 20 49 53 W ALBUM 'OFF' IS
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01CE20: 20 54 52 41 4E 43 45 20 46 4F 52 20 47 52 45 41 TRANCE FOR GREA
01CE30: 54 20 4D 55 53 49 43 53 2C 20 20 20 20 20 20 20 T MUSICS,
01CE40: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01CE50: 20 20 20 20 20 20 20 20 20 54 4F 20 4D 41 54 48 TO MATH
01CE60: 49 41 53 20 48 4F 4C 54 4D 41 4E 4E 20 46 4F 52 IAS HOLTMANN FOR
01CE70: 20 43 4F 4F 4C 22 53 57 46 33 20 45 58 54 52 41 COOL"SWF3 EXTRA
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01CE90: 52 2D 4D 49 44 2D 4E 49 47 48 54 2D 56 49 44 45 R-MID-NIGHT-VIDE
01CEA0: 4F 43 4C 49 50 20 53 48 4F 57 53 2E 20 20 20 20 OCLIP SHOWS.
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01CEC0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01CED0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01CEE0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01CEF0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
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01CF10: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01CF20: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01CF30: 20 20 20 20 20 20 20 20 20 53 4F 4D 45 54 48 49 SOMETHI
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01CF60: 4E 3F 20 48 41 56 45 20 59 4F 55 20 46 4F 55 4E N? HAVE YOU FOUN
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01CFB0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01CFC0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01CFD0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01CFE0: 20 20 20 20 20 20 41 4E 59 57 41 59 2C 20 57 52 ANYWAY, WR
01CFF0: 49 54 45 20 54 4F 3A 20 20 20 20 20 20 20 20 20 ITE TO:
01D000: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01D010: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 43 C
01D020: 52 4F 57 4E 20 4F 46 20 42 45 4E 47 21 20 20 20 ROWN OF BENG!
01D030: 20 20 20 20 20 20 20 20 20 20 20 50 46 20 32 38 PF 28
01D040: 32 38 20 20 20 20 20 20 20 20 20 20 20 20 20 20 28
01D050: 20 20 20 20 20 20 20 36 36 39 35 34 20 50 49 52 66954 PIR
01D060: 4D 41 53 45 4E 53 20 20 20 20 20 20 20 20 20 20 MASENS
01D070: 20 20 20 47 45 52 4D 41 4E 59 20 20 20 20 20 20 GERMANY
01D080: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01D090: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01D0A0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01D0B0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01D0C0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01D0D0: 20 20 20 20 20 20 20 20 20 20 20 20 20 1A 4B 45 .KE
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01D100: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01D110: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01D120: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01D130: 20 20 20 20 20 20 20 20 20 53 4F 4D 45 54 48 49 SOMETHI
01D140: 4E 47 20 59 4F 55 27 44 20 4C 49 4B 45 20 49 4E NG YOU'D LIKE IN
01D150: 20 54 48 45 20 4E 45 58 54 20 56 45 52 53 49 4F THE NEXT VERSIO
01D160: 4E 3F 20 48 41 56 45 20 59 4F 55 20 46 4F 55 4E N? HAVE YOU FOUN
01D170: 44 41 4E 59 20 42 55 47 53 3F 20 4F 52 20 44 4F DANY BUGS? OR DO
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01D190: 54 20 54 4F 20 50 4C 41 59 20 54 49 43 2D 54 41 T TO PLAY TIC-TA
01D1A0: 43 2D 54 4F 45 20 42 59 20 4D 41 49 4C 3F 20 20 C-TOE BY MAIL?
01D1B0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01D1C0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01D1D0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01D1E0: 20 20 20 20 20 20 41 4E 59 57 41 59 2C 20 57 52 ANYWAY, WR
01D1F0: 49 54 45 20 54 4F 3A 20 20 20 20 20 20 20 20 20 ITE TO:
01D200: 00 50 52 4F 54 52 20 20 20 44 4F 31 00 00 00 00 .PROTR DO1....
01D210: 00 00 02 00 00 39 A1 00 00 00 39 A1 00 00 00 00 .....9....9.....
01D220: 43 72 6F 77 6E FE 00 00 00 00 00 00 00 00 00 00 Crown...........
01D230: 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 ................
01D240: 35 08 00 B5 07 20 20 20 20 20 20 20 20 20 20 20 5....
01D250: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01D260: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01D270: 20 20 20 20 20 20 20 20 20 20 1A 41 49 4E 53 43 .AINSC
01D280: 05 20 20 20 20 20 20 20 20 20 4D 41 49 4E 53 43 . MAINSC
01D290: 52 45 45 4E 20 20 20 20 20 20 20 20 20 20 20 20 REEN
01D2A0: 20 20 20 20 20 20 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D ----------
01D2B0: 20 20 20 20 20 20 20 20 20 23 23 20 50 4C 41 59 ## PLAY
01D2C0: 20 23 23 20 20 20 20 20 20 20 20 20 20 20 20 20 ##
01D2D0: 20 20 20 20 20 57 49 4C 4C 20 50 4C 41 59 20 54 WILL PLAY T
01D2E0: 48 45 20 53 4F 4E 47 20 46 52 4F 4D 20 54 48 45 HE SONG FROM THE
01D2F0: 20 43 55 52 52 45 4E 54 20 50 4F 53 49 54 49 4F CURRENT POSITIO
01D300: 4E 20 49 4E 20 54 48 45 20 20 20 20 20 53 4F 4E N IN THE SON
01D310: 47 2E 20 49 46 20 53 48 46 54 20 4F 52 20 43 54 G. IF SHFT OR CT
01D320: 52 4C 20 49 53 20 20 20 20 50 52 45 53 53 45 44 RL IS PRESSED
01D330: 20 49 54 20 57 49 4C 4C 20 4A 55 4D 50 20 54 4F IT WILL JUMP TO
01D340: 20 54 48 45 20 42 45 47 49 4E 4E 49 4E 47 20 4F THE BEGINNING O
01D350: 46 20 54 48 45 20 53 4F 4E 47 20 42 45 46 4F 52 F THE SONG BEFOR
01D360: 45 50 4C 41 59 49 4E 47 2E 20 20 20 20 20 20 20 EPLAYING.
01D370: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01D380: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01D390: 20 20 20 20 20 20 20 20 20 23 23 20 50 41 54 54 ## PATT
01D3A0: 45 52 4E 20 23 23 20 20 20 20 20 20 20 20 20 20 ERN ##
01D3B0: 20 20 20 20 20 57 49 4C 4C 20 50 4C 41 59 20 54 WILL PLAY T
01D3C0: 48 45 20 43 55 52 52 45 4E 54 20 20 20 20 20 20 HE CURRENT
01D3D0: 20 50 41 54 54 45 52 4E 20 57 48 49 43 48 20 49 PATTERN WHICH I
01D3E0: 53 20 53 48 4F 57 4E 20 41 54 20 20 20 4C 4F 57 S SHOWN AT LOW
01D3F0: 45 52 20 4C 45 46 54 20 45 4E 44 20 4F 46 20 54 ER LEFT END OF T
01D400: 48 45 20 53 54 41 54 55 53 42 41 52 2E 20 20 20 HE STATUSBAR.
01D410: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01D420: 20 20 20 20 20 23 23 20 45 44 49 54 20 23 23 20 ## EDIT ##
01D430: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01D440: 20 57 49 4C 4C 20 50 55 54 20 59 4F 55 20 49 4E WILL PUT YOU IN
01D450: 54 4F 20 54 48 45 20 45 44 49 54 20 20 4D 4F 44 TO THE EDIT MOD
01D460: 45 2E 20 55 53 45 20 54 48 45 20 41 52 52 4F 57 E. USE THE ARROW
01D470: 4B 45 59 53 20 20 20 20 20 54 4F 20 4D 4F 56 45 KEYS TO MOVE
01D480: 20 55 50 2F 44 4F 57 4E 20 41 4E 44 20 4C 45 46 UP/DOWN AND LEF
01D490: 54 2F 20 20 20 52 49 47 48 54 20 49 4E 20 54 48 T/ RIGHT IN TH
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01D4B0: 20 45 4E 54 45 52 49 4E 47 20 41 20 4E 4F 54 45 ENTERING A NOTE
01D4C0: 20 4F 52 20 41 20 4E 55 4D 42 45 52 20 57 49 4C OR A NUMBER WIL
01D4D0: 4C 20 43 41 55 53 45 20 54 48 45 20 50 41 54 54 L CAUSE THE PATT
01D4E0: 45 52 4E 20 54 4F 20 20 20 4A 55 4D 50 20 54 48 ERN TO JUMP TH
01D4F0: 45 20 53 45 4C 45 43 54 45 44 20 4E 55 4D 42 45 E SELECTED NUMBE
01D500: 52 20 4F 46 20 53 54 45 50 53 20 54 48 41 54 20 R OF STEPS THAT
01D510: 49 53 20 53 48 4F 57 4E 20 49 4E 20 54 48 45 20 IS SHOWN IN THE
01D520: 20 55 50 50 45 52 20 4C 45 46 54 20 45 4E 44 20 UPPER LEFT END
01D530: 4F 46 20 54 48 45 20 53 54 41 54 55 53 42 41 52 OF THE STATUSBAR
01D540: 2E 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 .
01D550: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01D560: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01D570: 20 20 20 20 20 23 23 20 53 4F 4E 47 4C 49 53 54 ## SONGLIST
01D580: 20 23 23 20 20 20 20 20 20 20 20 20 20 20 20 20 ##
01D590: 20 57 49 4C 4C 20 50 55 54 20 59 4F 55 20 49 4E WILL PUT YOU IN
01D5A0: 54 4F 20 54 48 45 20 53 4F 4E 47 2D 20 4C 49 53 TO THE SONG- LIS
01D5B0: 54 20 45 44 49 54 4F 52 2E 20 20 20 20 20 20 20 T EDITOR.
01D5C0: 20 20 20 20 20 20 20 20 20 23 23 20 44 49 53 43 ## DISC
01D5D0: 4F 50 20 23 23 20 20 20 20 20 20 20 20 20 20 20 OP ##
01D5E0: 20 20 20 20 20 57 49 4C 4C 20 47 4F 20 54 4F 20 WILL GO TO
01D5F0: 54 48 45 20 46 49 4C 45 20 20 20 20 20 20 20 20 THE FILE
01D600: 20 52 45 51 55 45 53 54 45 52 2E 20 20 20 20 20 REQUESTER.
01D610: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01D620: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01D630: 20 20 20 20 20 20 20 20 20 23 23 20 48 45 4C 50 ## HELP
01D640: 20 23 23 20 20 20 20 20 20 20 20 20 20 20 20 20 ##
01D650: 20 20 20 20 20 54 48 49 53 20 57 49 4C 4C 20 50 THIS WILL P
01D660: 55 54 20 59 4F 55 20 48 45 52 45 2E 20 20 20 20 UT YOU HERE.
01D670: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01D680: 20 20 20 20 20 20 20 20 20 20 20 20 20 23 23 20 ##
01D690: 4F 54 48 45 52 53 20 23 23 20 20 20 20 20 20 20 OTHERS ##
01D6A0: 20 20 20 20 20 20 20 20 20 54 48 49 53 20 57 49 THIS WI
01D6B0: 4C 4C 20 4C 45 41 44 20 54 4F 20 41 20 4D 45 4E LL LEAD TO A MEN
01D6C0: 55 20 20 20 20 57 49 54 48 20 41 20 46 45 57 20 U WITH A FEW
01D6D0: 4F 50 54 49 4F 4E 53 20 43 4F 4E 43 45 52 2D 20 OPTIONS CONCER-
01D6E0: 20 4E 49 4E 47 20 54 48 45 20 57 48 4F 4C 45 20 NING THE WHOLE
01D6F0: 50 52 4F 47 52 41 4D 2E 20 20 20 20 20 20 20 20 PROGRAM.
01D700: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01D710: 20 20 20 20 20 20 20 20 20 23 23 20 53 41 4D 50 ## SAMP
01D720: 4C 45 52 20 23 23 20 20 20 20 20 20 20 20 20 20 LER ##
01D730: 20 20 20 20 20 54 48 49 53 20 57 49 4C 4C 20 4C THIS WILL L
01D740: 45 41 44 20 59 4F 55 20 54 4F 20 54 48 45 20 20 EAD YOU TO THE
01D750: 20 56 45 52 59 20 50 4F 57 45 52 46 55 4C 20 53 VERY POWERFUL S
01D760: 41 4D 50 4C 45 2D 45 44 49 54 4F 52 2E 4B 45 59 AMPLE-EDITOR.KEY
01D770: 53 20 49 4E 20 54 48 45 20 4D 41 49 4E 53 43 52 S IN THE MAINSCR
01D780: 45 45 4E 3A 20 20 20 20 20 20 20 20 20 20 20 20 EEN:
01D790: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01D7A0: 20 20 20 20 20 45 4E 54 45 52 2F 43 4F 50 59 2F ENTER/COPY/
01D7B0: 53 50 41 43 45 3A 20 53 45 4C 45 43 54 20 20 20 SPACE: SELECT
01D7C0: 20 43 54 52 4C 2B 53 48 46 54 2B 45 53 43 3A 20 CTRL+SHFT+ESC:
01D7D0: 52 45 53 45 54 20 20 20 20 20 20 20 20 4F 3A 20 RESET O:
01D7E0: 41 55 44 49 4F 43 48 41 4E 4E 45 4C 20 41 20 4F AUDIOCHANNEL A O
01D7F0: 4E 2F 4F 46 46 20 20 20 20 50 3A 20 41 55 44 49 N/OFF P: AUDI
01D800: 4F 43 48 41 4E 4E 45 4C 20 42 20 4F 4E 2F 4F 46 OCHANNEL B ON/OF
01D810: 46 20 20 20 20 40 3A 20 41 55 44 49 4F 43 48 41 F @: AUDIOCHA
01D820: 4E 4E 45 4C 20 43 20 4F 4E 2F 4F 46 46 20 20 20 NNEL C ON/OFF
01D830: 20 5B 3A 20 53 45 4C 45 43 54 20 50 4C 41 59 52 [: SELECT PLAYR
01D840: 4F 55 54 49 4E 45 20 20 20 20 20 20 20 20 20 20 OUTINE
01D850: 28 4D 45 54 48 4F 44 20 31 2C 20 4D 45 54 48 4F (METHOD 1, METHO
01D860: 44 20 32 2C 20 20 20 20 20 20 20 20 44 49 47 49 D 2, DIGI
01D870: 42 4C 41 53 54 45 52 29 20 20 20 20 20 20 20 20 BLASTER)
01D880: 20 20 20 20 20 5D 3A 20 47 4F 20 4F 4E 45 20 50 ]: GO ONE P
01D890: 41 54 54 45 52 4E 20 55 50 20 20 20 20 20 20 20 ATTERN UP
01D8A0: 20 5C 3A 20 47 4F 20 4F 4E 45 20 50 41 54 54 45 \: GO ONE PATTE
01D8B0: 52 4E 20 44 4F 57 4E 20 20 20 20 20 20 3B 3A 20 RN DOWN ;:
01D8C0: 49 4E 43 52 45 41 53 45 20 53 4F 4E 47 50 4F 53 INCREASE SONGPOS
01D8D0: 49 54 49 4F 4E 20 20 20 20 2F 3A 20 44 45 43 52 ITION /: DECR
01D8E0: 45 41 53 45 20 53 4F 4E 47 50 4F 53 49 54 49 4F EASE SONGPOSITIO
01D8F0: 4E 20 20 20 20 43 41 50 53 3A 20 4C 4F 57 45 52 N CAPS: LOWER
01D900: 2F 48 49 47 48 45 52 20 4D 41 4E 55 41 4C 20 20 /HIGHER MANUAL
01D910: 20 53 48 46 54 20 4F 52 20 43 54 52 4C 20 54 4F SHFT OR CTRL TO
01D920: 47 45 54 48 45 52 20 57 49 54 48 20 20 41 20 4B GETHER WITH A K
01D930: 45 59 20 46 52 4F 4D 20 54 48 45 20 4B 45 59 50 EY FROM THE KEYP
01D940: 41 44 20 4F 52 20 54 48 45 43 55 52 53 4F 52 20 AD OR THECURSOR
01D950: 4B 45 59 53 20 57 49 4C 4C 20 53 45 4C 45 43 54 KEYS WILL SELECT
01D960: 20 41 20 20 20 53 41 4D 50 4C 45 20 28 31 20 54 A SAMPLE (1 T
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01D980: 2E 54 48 45 20 41 43 54 55 41 4C 20 53 41 4D 50 .THE ACTUAL SAMP
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01D9A0: 50 4C 41 59 45 44 20 49 4E 20 54 48 45 20 53 54 PLAYED IN THE ST
01D9B0: 41 54 55 53 20 42 41 52 2E 20 20 20 20 20 20 20 ATUS BAR.
01D9C0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01D9D0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01D9E0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01D9F0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
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01DA10: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01DA20: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01DA30: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01DA40: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01DA50: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01DA60: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01DA70: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01DA80: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01DA90: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01DAA0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01DAB0: 20 20 20 20 20 1A 41 49 4E 53 43 52 45 45 4E 20 .AINSCREEN
01DAC0: 20 20 20 20 20 20 20 20 22 0D 0A 64 62 20 22 20 "..db "
01DAD0: 20 20 20 20 20 20 20 20 2D 2D 2D 2D 2D 2D 2D 2D --------
01DAE0: 2D 2D 20 20 20 20 20 20 20 20 20 22 0D 0A 64 62 -- "..db
01DAF0: 20 22 23 23 20 50 4C 41 59 20 23 23 20 20 20 20 "## PLAY ##
01DB00: 2F 48 49 47 48 45 52 20 4D 41 4E 55 41 4C 20 20 /HIGHER MANUAL
01DB10: 20 53 48 46 54 20 4F 52 20 43 54 52 4C 20 54 4F SHFT OR CTRL TO
01DB20: 47 45 54 48 45 52 20 57 49 54 48 20 20 41 20 4B GETHER WITH A K
01DB30: 45 59 20 46 52 4F 4D 20 54 48 45 20 4B 45 59 50 EY FROM THE KEYP
01DB40: 41 44 20 4F 52 20 54 48 45 43 55 52 53 4F 52 20 AD OR THECURSOR
01DB50: 4B 45 59 53 20 57 49 4C 4C 20 53 45 4C 45 43 54 KEYS WILL SELECT
01DB60: 20 41 20 20 20 53 41 4D 50 4C 45 20 28 31 20 54 A SAMPLE (1 T
01DB70: 4F 20 46 29 20 41 4E 44 20 50 4C 41 59 20 49 54 O F) AND PLAY IT
01DB80: 2E 54 48 45 20 41 43 54 55 41 4C 20 53 41 4D 50 .THE ACTUAL SAMP
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01DBA0: 50 4C 41 59 45 44 20 49 4E 20 54 48 45 20 53 54 PLAYED IN THE ST
01DBB0: 41 54 55 53 20 42 41 52 2E 20 20 20 20 20 20 20 ATUS BAR.
01DBC0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01DBD0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01DBE0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01DBF0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
01DC00: 54 72 61 63 6B 2D 49 6E 66 6F 0D 0A 00 00 00 00 Track-Info......
01DC10: 19 00 01 00 02 09 4E E5 19 00 C1 02 00 00 00 02 ......N.........
01DC20: 19 00 C2 02 00 00 00 02 19 00 C3 02 00 00 00 02 ................
01DC30: 19 00 C4 02 00 00 00 02 19 00 C5 02 00 00 00 02 ................
01DC40: 19 00 C6 02 00 00 00 02 19 00 C7 02 00 00 00 02 ................
01DC50: 19 00 C8 02 00 00 00 02 19 00 C9 02 00 00 00 02 ................
01DC60: 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 ................
01DC70: 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 ................
01DC80: 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 ................
01DC90: 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 ................
01DCA0: 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 ................
01DCB0: 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 ................
01DCC0: 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 ................
01DCD0: 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 ................
01DCE0: 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 ................
01DCF0: 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 ................
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020240: 1B 00 C6 02 00 00 00 02 1B 00 C7 02 00 00 00 02 ................
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020520: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
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020540: 3A 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 :
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0205F0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
020600: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
020610: 20 20 20 20 20 20 20 20 20 44 45 4C 3A 20 44 45 DEL: DE
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020780: 20 20 20 20 20 53 48 46 54 2B 43 4F 50 59 3A 20 SHFT+COPY:
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020810: 20 53 48 46 54 2B 2C 20 3A 20 20 20 20 20 20 20 SHFT+, :
020820: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 43 4F CO
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020850: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
020860: 20 20 20 20 20 53 48 46 54 2B 2E 20 3A 20 20 20 SHFT+. :
020870: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
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020890: 55 46 46 45 52 2E 20 20 20 20 20 20 20 20 20 20 UFFER.
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0208C0: 3A 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 :
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0208F0: 2E 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 .
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020910: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
020920: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
020930: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
020940: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
020950: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
020960: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
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020980: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
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0209A0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
0209B0: 20 20 20 20 20 53 48 46 54 2B 4C 20 3A 20 20 20 SHFT+L :
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020A10: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
020A20: 20 20 20 20 20 53 48 46 54 2B 3A 20 3A 20 20 20 SHFT+: :
020A30: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
020A40: 20 20 43 55 54 20 57 48 4F 4C 45 20 50 41 54 54 CUT WHOLE PATT
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020A60: 46 46 45 52 2E 20 20 20 20 20 20 20 20 20 20 20 FFER.
020A70: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
020A80: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
020A90: 20 20 20 20 20 53 48 46 54 2B 3B 20 3A 20 20 20 SHFT+; :
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020AF0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
020B00: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
020B10: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
020B20: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
020B30: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
020B40: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
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020C40: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
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020CD0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
020CE0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
020CF0: 20 20 20 20 20 20 20 20 20 20 20 20 20 43 4C 52 CLR
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020D20: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
020D30: 20 20 20 20 20 54 48 45 52 45 20 41 52 45 20 54 THERE ARE T
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020E00: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
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020E30: 20 20 50 52 45 53 53 49 4E 47 20 41 20 4B 45 59 PRESSING A KEY
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021060: 20 20 20 20 20 20 20 20 20 20 20 22 0D 0A 64 62 "..db
021070: 20 22 20 20 20 20 20 20 20 20 20 20 20 20 20 20 "
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021110: 00 00 02 00 00 39 A1 00 00 00 39 A1 00 00 00 00 .....9....9.....
021120: 43 72 6F 77 6E FE 00 00 00 00 00 00 00 00 00 00 Crown...........
021130: 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 ................
021140: 69 10 00 F7 07 20 20 20 20 20 20 20 20 20 20 20 i....
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021160: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
021170: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
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021310: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
021320: 20 20 20 20 20 20 20 20 20 20 20 20 45 20 2D 20 E -
021330: 43 4F 4D 4D 41 4E 44 53 20 20 20 20 20 20 20 20 COMMANDS
021340: 20 20 20 20 20 20 20 20 2D 2D 2D 2D 2D 2D 2D 2D --------
021350: 2D 2D 2D 2D 20 20 20 20 20 20 20 20 20 20 20 20 ----
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021370: 20 20 20 20 20 20 20 20 20 45 36 20 2D 20 50 41 E6 - PA
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0213F0: 45 52 20 43 4F 4D 4D 41 4E 44 53 20 4E 4F 54 20 ER COMMANDS NOT
021400: 20 20 20 20 20 49 4D 50 4C 45 4D 45 4E 54 45 44 IMPLEMENTED
021410: 2E 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 .
021420: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
021430: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
021440: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
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0214D0: 41 52 50 45 47 47 49 4F 20 20 20 20 20 20 20 20 ARPEGGIO
0214E0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 5B 52 [R
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021500: 54 72 61 63 6B 2D 49 6E 66 6F 0D 0A 00 00 00 00 Track-Info......
021510: 1C 00 01 00 02 09 4E E5 1C 00 C1 02 00 00 00 02 ......N.........
021520: 1C 00 C2 02 00 00 00 02 1C 00 C3 02 00 00 00 02 ................
021530: 1C 00 C4 02 00 00 00 02 1C 00 C5 02 00 00 00 02 ................
021540: 1C 00 C6 02 00 00 00 02 1C 00 C7 02 00 00 00 02 ................
021550: 1C 00 C8 02 00 00 00 02 1C 00 C9 02 00 00 00 02 ................
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0215F0: 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 ................
021600: 5D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D ]---------------
021610: 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 55 53 41 -------------USA
021620: 47 45 3A 20 24 30 20 2B 20 31 53 54 20 48 41 4C GE: $0 + 1ST HAL
021630: 46 4E 4F 54 45 20 41 44 44 20 20 20 20 20 20 20 FNOTE ADD
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021670: 20 41 52 50 45 47 47 49 4F 20 49 53 20 55 53 45 ARPEGGIO IS USE
021680: 44 20 54 4F 20 53 49 4D 55 4C 41 54 45 43 48 4F D TO SIMULATECHO
021690: 52 44 53 2E 20 54 48 49 53 20 49 53 20 44 4F 4E RDS. THIS IS DON
0216A0: 45 20 42 59 20 20 20 20 20 52 41 50 49 44 4C 59 E BY RAPIDLY
0216B0: 20 43 48 41 4E 47 49 4E 47 20 54 48 45 20 50 49 CHANGING THE PI
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0216D0: 4F 52 20 32 29 20 44 49 46 46 45 52 45 4E 54 20 OR 2) DIFFERENT
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021710: 53 41 4D 50 4C 45 53 20 20 42 55 54 20 4F 4B 20 SAMPLES BUT OK
021720: 4F 4E 20 4D 4F 4E 4F 54 4F 4E 45 20 4F 4E 45 53 ON MONOTONE ONES
021730: 2E 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 .
021740: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
021750: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
021760: 20 20 20 20 20 20 20 20 20 20 20 20 20 43 4D 44 CMD
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021790: 20 20 20 20 20 20 20 5B 4F 46 46 53 3A 24 30 30 [OFFS:$00
0217A0: 2D 24 46 46 5D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D -$FF]-----------
0217B0: 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D ----------------
0217C0: 2D 55 53 41 47 45 3A 20 24 39 20 2B 20 53 41 4D -USAGE: $9 + SAM
0217D0: 50 4C 45 4F 46 46 53 45 54 20 20 20 20 20 20 20 PLEOFFSET
0217E0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
0217F0: 20 20 20 20 20 20 20 20 20 54 48 49 53 20 43 4F THIS CO
021800: 4D 4D 41 4E 44 20 57 49 4C 4C 20 50 4C 41 59 20 MMAND WILL PLAY
021810: 46 52 4F 4D 20 41 20 43 48 4F 53 45 4E 20 50 4F FROM A CHOSEN PO
021820: 53 49 54 49 4F 4E 20 49 4E 20 54 48 45 20 20 20 SITION IN THE
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021850: 49 4E 4E 49 4E 47 2E 20 54 48 45 20 54 57 4F 20 INNING. THE TWO
021860: 4E 55 4D 42 45 52 53 20 20 45 51 55 41 4C 20 54 NUMBERS EQUAL T
021870: 48 45 20 46 49 52 53 54 20 54 57 4F 20 4E 55 4D HE FIRST TWO NUM
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021890: 54 48 20 4F 46 20 54 48 45 20 53 41 4D 50 4C 45 TH OF THE SAMPLE
0218A0: 2E 48 41 4E 44 59 20 46 4F 52 20 53 50 45 45 43 .HANDY FOR SPEEC
0218B0: 48 2D 53 41 4D 50 4C 45 53 2E 20 20 20 20 20 20 H-SAMPLES.
0218C0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
0218D0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
0218E0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
0218F0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
021900: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
021910: 20 43 4D 44 20 42 2E 20 50 4F 53 49 54 49 4F 4E CMD B. POSITION
021920: 2D 4A 55 4D 50 20 20 20 20 20 20 20 20 20 20 20 -JUMP
021930: 20 20 20 20 20 20 20 20 20 20 20 20 5B 50 4F 53 [POS
021940: 3A 24 30 30 2D 24 37 46 5D 2D 2D 2D 2D 2D 2D 2D :$00-$7F]-------
021950: 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D ----------------
021960: 2D 2D 2D 2D 2D 55 53 41 47 45 3A 20 24 42 20 2B -----USAGE: $B +
021970: 20 50 4F 53 49 54 49 4F 4E 20 54 4F 20 20 20 20 POSITION TO
021980: 20 20 20 20 20 20 20 20 20 20 20 20 20 43 4F 4E CON
021990: 54 49 4E 55 45 20 41 54 2E 20 20 20 20 20 20 20 TINUE AT.
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0219B0: 20 20 20 20 20 20 20 20 20 54 48 49 53 20 43 4F THIS CO
0219C0: 4D 4D 41 4E 44 20 57 49 4C 4C 20 41 4C 53 4F 20 MMAND WILL ALSO
0219D0: 20 20 20 20 20 50 45 52 46 4F 52 4D 20 41 20 50 PERFORM A P
0219E0: 41 54 54 45 52 4E 2D 42 52 45 41 4B 20 28 53 45 ATTERN-BREAK (SE
0219F0: 45 32 20 50 41 47 45 53 20 42 45 4C 4F 57 29 2E E2 PAGES BELOW).
021A00: 20 59 4F 55 20 43 41 4E 20 55 53 45 20 54 48 49 YOU CAN USE THI
021A10: 53 20 43 4F 4D 4D 41 4E 44 20 49 4E 53 54 45 41 S COMMAND INSTEA
021A20: 44 20 4F 46 20 20 20 20 20 4C 4F 4F 50 54 4F 20 D OF LOOPTO
021A30: 41 53 20 4F 4E 20 53 4F 55 4E 44 54 52 41 4B 4B AS ON SOUNDTRAKK
021A40: 45 52 20 20 20 42 55 54 20 59 4F 55 20 4D 55 53 ER BUT YOU MUS
021A50: 54 20 45 4E 54 45 52 20 54 48 45 20 20 20 20 20 T ENTER THE
021A60: 20 50 4F 53 49 54 49 4F 4E 20 49 4E 20 48 45 58 POSITION IN HEX
021A70: 21 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 !
021A80: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
021A90: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
021AA0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
021AB0: 20 20 20 20 20 43 4D 44 20 43 2E 20 53 45 54 20 CMD C. SET
021AC0: 56 4F 4C 55 4D 45 20 20 20 20 20 20 20 20 20 20 VOLUME
021AD0: 20 20 20 20 20 20 20 20 20 20 20 20 20 5B 56 4F [VO
021AE0: 4C 55 4D 45 3A 24 30 30 2D 24 34 30 5D 2D 2D 2D LUME:$00-$40]---
021AF0: 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D ----------------
021B00: 2D 2D 2D 2D 2D 2D 2D 2D 2D 55 53 41 47 45 3A 20 ---------USAGE:
021B10: 24 43 20 2B 20 4E 45 57 20 56 4F 4C 55 4D 45 20 $C + NEW VOLUME
021B20: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
021B30: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
021B40: 20 4E 4F 54 45 3A 20 54 48 49 53 20 43 4F 4D 4D NOTE: THIS COMM
021B50: 41 4E 44 20 57 49 4C 4C 20 4E 4F 54 20 53 45 54 AND WILL NOT SET
021B60: 20 54 48 45 20 56 4F 4C 55 4D 45 20 54 4F 20 41 THE VOLUME TO A
021B70: 20 44 45 53 49 52 45 44 20 56 41 4C 55 45 2E 20 DESIRED VALUE.
021B80: 49 54 20 4A 55 53 54 20 54 55 52 4E 53 20 54 48 IT JUST TURNS TH
021B90: 45 20 20 20 20 56 4F 4C 55 4D 45 20 4F 46 46 20 E VOLUME OFF
021BA0: 49 46 20 54 48 45 20 4E 45 57 20 56 4F 4C 55 4D IF THE NEW VOLUM
021BB0: 45 49 53 20 24 30 30 21 20 59 4F 55 20 43 41 4E EIS $00! YOU CAN
021BC0: 27 54 20 50 55 4D 50 20 55 50 20 20 20 54 48 45 'T PUMP UP THE
021BD0: 20 56 4F 4C 55 4D 45 20 41 47 41 49 4E 20 42 59 VOLUME AGAIN BY
021BE0: 20 47 49 56 49 4E 47 20 20 41 20 4E 4F 4E 2D 5A GIVING A NON-Z
021BF0: 45 52 4F 20 56 41 4C 55 45 2E 20 20 20 20 20 20 ERO VALUE.
021C00: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
021C10: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
021C20: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
021C30: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
021C40: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
021C50: 20 20 20 20 20 20 20 20 20 43 4D 44 20 44 2E 20 CMD D.
021C60: 50 41 54 54 45 52 4E 2D 42 52 45 41 4B 20 20 20 PATTERN-BREAK
021C70: 20 20 20 20 20 5B 50 41 54 54 45 52 4E 2D 50 4F [PATTERN-PO
021C80: 53 3A 30 30 2D 36 33 2C 20 44 45 43 49 4D 41 4C S:00-63, DECIMAL
021C90: 5D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D ]---------------
021CA0: 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 55 53 41 -------------USA
021CB0: 47 45 3A 20 24 44 20 2B 20 50 41 54 54 45 52 4E GE: $D + PATTERN
021CC0: 2D 50 4F 53 49 54 49 4F 4E 20 20 20 20 20 20 20 -POSITION
021CD0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
021CE0: 20 20 20 20 20 54 48 49 53 20 43 4F 4D 4D 41 4E THIS COMMAN
021CF0: 44 20 4A 55 53 54 20 4A 55 4D 50 53 20 54 4F 20 D JUST JUMPS TO
021D00: 20 54 48 45 20 4E 45 58 54 20 53 4F 4E 47 2D 50 THE NEXT SONG-P
021D10: 4F 53 49 54 49 4F 4E 20 41 4E 44 20 20 43 4F 4E OSITION AND CON
021D20: 54 49 4E 55 45 53 20 50 4C 41 59 20 46 52 4F 4D TINUES PLAY FROM
021D30: 20 54 48 45 20 20 20 20 20 50 41 54 54 45 52 4E THE PATTERN
021D40: 50 4F 53 49 54 49 4F 4E 20 59 4F 55 20 53 50 45 POSITION YOU SPE
021D50: 43 49 46 59 2E 20 20 20 20 20 20 20 20 20 20 20 CIFY.
021D60: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
021D70: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
021D80: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
021D90: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
021DA0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
021DB0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
021DC0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
021DD0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
021DE0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
021DF0: 20 20 20 20 20 20 20 20 20 20 20 20 20 43 4D 44 CMD
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021E10: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
021E20: 20 20 20 20 20 20 20 20 5B 4C 4F 4F 50 53 3A 24 [LOOPS:$
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021E40: 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D ----------------
021E50: 2D 55 53 41 47 45 3A 20 24 45 36 20 2B 20 4E 55 -USAGE: $E6 + NU
021E60: 4D 42 45 52 20 4F 46 20 4C 4F 4F 50 53 20 20 20 MBER OF LOOPS
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021E80: 20 20 20 20 20 20 20 20 20 54 48 49 53 20 43 4F THIS CO
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021EA0: 41 20 20 20 20 50 41 52 54 20 4F 46 20 41 20 50 A PART OF A P
021EB0: 41 54 54 45 52 4E 20 20 20 20 20 20 20 20 20 20 ATTERN
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021ED0: 20 20 20 20 20 20 20 20 20 20 20 20 20 45 58 41 EXA
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021EF0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
021F00: 20 20 53 45 54 20 4C 4F 4F 50 53 54 41 52 54 2E SET LOOPSTART.
021F10: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
021F20: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
021F30: 20 20 20 20 20 20 20 20 20 20 43 2D 32 20 30 45 C-2 0E
021F40: 36 33 20 20 20 20 20 20 20 20 20 20 20 20 20 20 63
021F50: 20 20 20 20 20 20 4A 55 4D 50 20 54 4F 20 4C 4F JUMP TO LO
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021F70: 20 20 33 20 54 49 4D 45 53 20 42 45 46 4F 52 45 3 TIMES BEFORE
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021FA0: 20 43 4D 44 20 45 45 2E 20 50 41 54 54 45 52 4E CMD EE. PATTERN
021FB0: 44 45 4C 41 59 20 20 20 20 20 20 20 20 20 20 20 DELAY
021FC0: 20 20 20 20 20 20 20 20 20 20 20 20 5B 4E 4F 54 [NOT
021FD0: 45 53 3A 24 30 2D 24 46 5D 2D 2D 2D 2D 2D 2D 2D ES:$0-$F]-------
021FE0: 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D ----------------
021FF0: 2D 2D 2D 2D 2D 55 53 41 47 45 3A 20 24 45 45 20 -----USAGE: $EE
022000: 2B 20 4E 4F 54 45 53 20 54 4F 20 44 45 4C 41 59 + NOTES TO DELAY
022010: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 50 41 PA
022020: 54 54 45 52 4E 2E 20 20 20 20 20 20 20 20 20 20 TTERN.
022030: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
022040: 20 20 20 20 20 20 20 20 20 54 48 49 53 20 43 4F THIS CO
022050: 4D 4D 41 4E 44 20 57 49 4C 4C 20 44 45 4C 41 59 MMAND WILL DELAY
022060: 20 54 48 45 20 50 41 54 54 45 52 4E 20 54 48 45 THE PATTERN THE
022070: 20 53 45 4C 45 43 54 45 44 20 4E 55 4D 42 45 52 SELECTED NUMBER
022080: 53 4F 46 20 4E 4F 54 45 53 2E 20 20 20 20 20 20 SOF NOTES.
022090: 20 20 20 20 20 20 20 20 20 20 20 20 20 41 4C 4C ALL
0220A0: 20 4F 54 48 45 52 20 45 46 46 45 43 54 53 20 41 OTHER EFFECTS A
0220B0: 52 45 20 53 54 49 4C 4C 20 41 43 54 49 56 45 20 RE STILL ACTIVE
0220C0: 57 48 45 4E 20 54 48 45 20 50 41 54 54 45 52 4E WHEN THE PATTERN
0220D0: 20 49 53 20 20 42 45 49 4E 47 20 44 45 4C 41 59 IS BEING DELAY
0220E0: 45 44 2E 20 20 20 20 20 20 20 20 20 20 20 20 20 ED.
0220F0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
022100: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
022110: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
022120: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
022130: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
022140: 20 20 20 20 20 43 4D 44 20 46 2E 20 53 45 54 20 CMD F. SET
022150: 53 50 45 45 44 20 20 20 20 20 20 20 20 20 20 20 SPEED
022160: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 5B 53 [S
022170: 50 45 45 44 3A 24 30 30 2D 24 46 46 5D 2D 2D 2D PEED:$00-$FF]---
022180: 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D ----------------
022190: 2D 2D 2D 2D 2D 2D 2D 2D 2D 55 53 41 47 45 3A 20 ---------USAGE:
0221A0: 24 46 20 2B 20 53 50 45 45 44 20 20 20 20 20 20 $F + SPEED
0221B0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
0221C0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
0221D0: 20 54 48 49 53 20 43 4F 4D 4D 41 4E 44 20 57 49 THIS COMMAND WI
0221E0: 4C 4C 20 53 45 54 20 54 48 45 20 20 20 53 50 45 LL SET THE SPE
0221F0: 45 44 20 4F 46 20 54 48 45 20 53 4F 4E 47 2E 20 ED OF THE SONG.
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022210: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
022220: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
022230: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
022240: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
022250: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
022260: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
022270: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
022280: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
022290: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
0222A0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
0222B0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
0222C0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
0222D0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
0222E0: 20 20 20 20 20 20 20 20 20 1A 20 20 22 0D 0A 64 . "..d
0222F0: 62 20 22 20 20 20 20 20 20 20 20 20 20 20 20 20 b "
022300: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
022310: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
022320: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
022330: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
022340: 20 20 20 20 20 43 4D 44 20 46 2E 20 53 45 54 20 CMD F. SET
022350: 53 50 45 45 44 20 20 20 20 20 20 20 20 20 20 20 SPEED
022360: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 5B 53 [S
022370: 50 45 45 44 3A 24 30 30 2D 24 46 46 5D 2D 2D 2D PEED:$00-$FF]---
022380: 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D 2D ----------------
022390: 2D 2D 2D 2D 2D 2D 2D 2D 2D 55 53 41 47 45 3A 20 ---------USAGE:
0223A0: 24 46 20 2B 20 53 50 45 45 44 20 20 20 20 20 20 $F + SPEED
0223B0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
0223C0: 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20
0223D0: 20 54 48 49 53 20 43 4F 4D 4D 41 4E 44 20 57 49 THIS COMMAND WI
0223E0: 4C 4C 20 53 45 54 20 54 48 45 20 20 20 53 50 45 LL SET THE SPE
0223F0: 45 44 20 4F 46 20 54 48 45 20 53 4F 4E 47 2E 20 ED OF THE SONG.
022400: 3E 40 44 4A 4A 48 44 42 42 46 4A 46 3A 2E 24 22 >@DJJHDBBFJF:.$"
022410: 2A 34 3A 38 2A 20 18 1A 24 32 3A 34 30 2A 2C 34 *4:8* ..$2:40*,4
022420: 40 48 48 46 44 48 4C 54 58 54 4E 4A 48 46 4C 4E @HHFDHLTXTNJHFLN
022430: 4E 4E 4A 4A 4A 4C 4A 46 3C 36 36 3C 42 44 44 3E NNJJJLJF<66<BDD>
022440: 3C 3C 42 48 4C 4E 4A 44 42 42 48 4A 46 38 2C 22 <<BHLNJDBBHJF8,"
022450: 26 30 3A 3E 38 26 18 14 18 28 36 36 30 2C 28 30 &0:>8&...(660,(0
022460: 3E 4A 4A 4A 44 44 48 52 58 56 52 4C 46 48 4C 50 >JJJDDHRXVRLFHLP
022470: 52 50 4A 48 48 4A 4A 46 40 38 36 3A 40 44 44 40 RPJHHJJF@86:@DD@
022480: 3A 3A 3C 46 4A 4E 4E 48 44 42 44 48 48 3C 32 28 ::<FJNNHDBDHH<2(
022490: 24 28 32 3A 3C 32 22 18 12 1A 28 30 30 2E 2C 2C $(2:<2"...(00.,,
0224A0: 36 42 48 4A 4A 48 48 4C 52 54 54 52 4C 4A 4A 4E 6BHJJHHLRTTRLJJN
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02EC90: 57 A0 FF 11 E0 00 1F FF FF FF FC 00 03 FF F0 7F W...............
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02ECB0: 27 1D 19 09 E0 0F FF F8 00 FF FF 80 FF FC 53 04 '.............S.
02ECC0: FF FC 07 FF E0 56 02 0F FF C0 50 02 01 FF F8 FD .....V....P.....
02ECD0: 06 AB 12 00 07 FD 06 59 12 FD 07 21 79 F0 16 01 .......Y...!y...
02ECE0: FF FC 53 FD 05 50 12 FD 06 A3 12 05 03 FF FE 00 ..S..P...£......
02ECF0: 00 0F A2 FF FD 05 CF 19 02 0F FF C0 55 01 FF FC ............U...
02ED00: 51 02 1F FF 80 FD 06 55 0A 00 7F FD 06 40 09 50 Q......U.....@.P
02ED10: 02 07 FF C0 F3 47 06 A3 FF 0B C0 FF F8 1F FF F8 .....G.£........
02ED20: 00 00 7F FE 00 07 FD 06 EF 11 A2 FF 01 FC 0F A0 ................
02ED30: FF 00 E0 56 A0 FF 02 FC 00 1F A0 FF 0B 80 03 FF ...V............
02ED40: E0 7F FF E0 00 01 FD 0B E6 78 22 80 52 FD 05 9F .........x".R...
02ED50: 01 07 FF C0 07 FF E0 7F FF 80 51 01 FF F8 53 FD ..........Q...S.
02ED60: 05 F7 19 00 FC 55 0A 0F FF 80 00 03 FF 81 FD 06 .....U..........
02ED70: 47 78 07 FB 11 05 FF FF 00 1F FF FD 09 22 79 2C Gx..........."y,
02ED80: F8 FD 07 42 01 06 FF FE 7F FE 1F FF 80 51 00 0F ...B.........Q..
02ED90: A1 FF 06 80 00 0F FF FF FF F0 57 FD 06 C1 09 04 ..........W.....
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02EDC0: A3 FF 05 C0 FF FC 03 FD 08 7D 79 0D 05 01 FF F8 £........}y.....
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02EDE0: F3 A2 06 00 01 A3 FF 0B C1 FF F8 3F FF F8 00 00 .....£.....?....
02EDF0: 7F FC 00 1F A0 FF 01 00 1F A2 FF 01 FC 1F A0 FF ................
02EE00: 00 F8 55 00 01 A1 FF 01 00 3F A0 FF 03 E0 07 FF ..U......?......
02EE10: E0 FD 08 3F 11 A3 FF 00 E0 5A 02 1F FF 80 52 02 ...?.£...Z....R.
02EE20: 1F FF 83 FD 06 6E 21 02 C0 FF FE 51 02 01 FF F8 .....n!....Q....
02EE30: 52 06 01 FF F8 00 1F FF F8 55 08 1F FF 80 00 7F R........U......
02EE40: FF 03 FF F0 FD 06 78 09 00 0F FD 06 1C 29 51 01 ......x......)Q.
02EE50: FF F8 5D 00 01 A1 FF 01 F8 00 FD 06 B1 0A 03 FF ..].............
02EE60: FF 7F FC FD 06 92 29 01 FC 1F A1 FF 05 80 00 1F ......).........
02EE70: FF FF F8 57 00 01 FD 06 2A 19 03 3F FF FF F0 FD ...W....*..?....
02EE80: 07 20 0A 04 03 FF FD FF F0 50 02 0F FF 80 5D FD . .......P....].
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02EEA0: 05 C1 FF F8 01 FF F0 56 02 1F FF 80 50 09 03 FF .......V....P...
02EEB0: F0 03 FF E0 00 7F FE 0F FD 06 59 22 51 01 FF F8 ..........Y"Q...
02EEC0: FD 07 B1 7A 19 03 81 FF F0 3F FD 06 C3 19 01 00 ...z.....?......
02EED0: 7F A0 FF 01 C0 1F A2 FF 01 F8 1F A0 FF 00 FC FD ................
02EEE0: 06 D3 7A F0 2D 80 3F A0 FF 0B F0 07 FF C0 FF FF ..z.-.?.........
02EEF0: F0 00 03 FF F0 3F A3 FF 00 E0 5A 00 1F A1 FF 0D .....?£...Z.....
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02EF10: 01 A1 FF 00 F0 FD 06 4E 1A 01 FF F0 55 00 1F A0 .......N....U...
02EF20: FF 00 FE FD 06 4A 31 09 C0 7F FC 0F FF BF FF 80 .....J1.........
02EF30: 3F FF 51 01 FF F8 5D 02 01 FF F8 52 FD 06 B1 12 ?.Q...]....R....
02EF40: 04 7F FF FF FC 3F FD 08 D1 29 53 03 1F FF FF FC .....?...)S.....
02EF50: 57 02 01 FF F8 51 03 3F FF FF F8 FD 07 20 12 04 W....Q.?..... ..
02EF60: 01 FF FF FD 10 58 7B 04 03 FD 06 DC 01 FD 06 6D .....X{........m
02EF70: 7B 0A F8 01 A3 FF 05 81 FF F8 00 FF F8 FD 0A 7E {...£..........~
02EF80: 7B 0A 01 FF F0 00 7F FC 0F FD 06 DC 21 FD 08 93 {...........!...
02EF90: 7B 1B 03 A3 FF 0A 83 FF F0 7F FF FE 00 00 FF F8 {..£............
02EFA0: 01 A1 FF 01 C0 3F A2 FF 01 F8 3F A0 FF 00 FD 06 .....?....?.....
02EFB0: 8B 75 25 01 C0 7F A0 FF 0B F8 0F FF C1 FF FF F8 .u%.............
02EFC0: 00 03 FF E0 7F A3 FF 00 C0 5A 00 3F A1 FF 0D 00 .....£...Z.?....
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02EFF0: 7D 1A 04 9F FF C0 3F FD 0C DE 75 18 FD 05 FA 19 }.....?...u.....
02F000: 0D 00 3F FF FF F8 1F FF C0 00 FF FF FC 3F FF 53 ..?..........?.S
02F010: 03 3F FF 3F FE FD 06 04 76 09 03 7F FE 7F FC FD .?.?....v.......
02F020: 08 20 1A 03 FD 0F 17 76 23 56 1A 04 01 FF FF 80 . .....v#V......
02F030: 03 A0 FF 01 E0 03 A3 FF FD 05 58 0A 00 FC 56 01 ......£...X...V.
02F040: 3F FF 51 FD 05 AB 02 00 F8 FD 07 7D 1A FD 0A 4C ?.Q........}...L
02F050: 76 F1 9E 01 CB 41 F0 5D 03 41 54 68 69 73 20 70 v....A.].AThis p
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02F070: 79 20 54 48 45 20 54 57 49 4E 53 20 69 6E 20 27 y THE TWINS in '
02F080: 39 33 AE 04 A3 49 74 27 73 20 61 20 73 6F 20 63 93..£It's a so c
02F090: 61 6C 6C 65 64 20 73 65 63 75 72 69 74 79 20 70 alled security p
02F0A0: 72 6F 67 72 61 6D 20 66 6F 72 20 74 68 65 20 61 rogram for the a
02F0B0: 64 64 72 65 73 73 65 73 20 6F 66 20 79 6F 75 72 ddresses of your
02F0C0: 20 63 6F 6E 74 61 63 74 73 AC 04 FF 73 6F 20 69 contacts...so i
02F0D0: 66 20 73 6F 6D 65 20 63 6F 70 73 20 63 6F 6D 65 f some cops come
02F0E0: 20 74 6F 20 76 69 73 69 74 20 79 6F 75 2C 20 20 to visit you,
02F0F0: 74 68 65 79 20 77 6F 6E 27 74 20 67 65 74 20 79 they won't get y
02F100: 61 27 6C 6C 27 73 FD 0A 86 7C 05 AE 05 56 54 68 a'll's...|...VTh
02F110: 65 FD 09 76 7C 15 69 73 20 73 69 6D 69 6C 61 72 e..v|.is similar
02F120: 20 74 6F 20 61 20 6E 6F 72 6D 61 6C FD 08 DE 7C to a normal...|
02F130: 32 20 6D 61 6E 61 67 65 72 2C 20 62 75 74 20 69 2 manager, but i
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02F150: 68 61 6E 20 69 74 AC 05 B1 62 65 63 61 75 73 65 han it...because
02F160: 20 61 6C 6C FD 06 93 7C F0 0A 64 61 74 61 73 20 all...|..datas
02F170: 77 69 6C 6C 20 62 65 20 63 6F 64 65 64 20 62 65 will be coded be
02F180: 66 6F 72 65 20 73 61 76 69 6E 67 20 6F 6E 20 61 fore saving on a
02F190: 20 64 69 73 63 2E 20 54 68 61 74 27 73 20 77 68 disc. That's wh
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02F1B0: 65 62 6F 64 79 20 65 6C 73 65 20 63 6F 75 6C 64 ebody else could
02F1C0: 20 72 65 61 64 FD 0C 48 7D F0 25 61 6E 64 20 69 read..H}.%and i
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02F210: 2D 63 6F 64 65 77 6F 72 64 2C 20 77 68 69 63 68 -codeword, which
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02F250: 72 65 63 61 6C 6C FD 06 B9 72 F0 0E 74 69 6D 65 recall...r..time
02F260: 20 69 66 20 79 6F 75 20 6E 65 65 64 20 74 68 65 if you need the
02F270: FD 06 AE 7D 2A AE 07 8E 54 61 6B 65 20 63 61 72 ...}*...Take car
02F280: 65 20 66 6F 72 20 75 73 69 6E 67 20 73 6D 61 6C e for using smal
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02F2A0: FD 06 EC 7D 04 73 AE 07 E0 54 FD 07 DE 7D 06 6F ...}.s...T...}.o
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02F2C0: D3 F3 40 00 20 61 20 6B 65 79 20 74 6F 20 61 63 ..@. a key to ac
02F2D0: 6B 6E 6F 77 6C 65 64 67 65 FD 06 A9 7D 11 70 61 knowledge...}.pa
02F2E0: 73 73 77 6F 72 64 AE 40 39 4E 6F 77 20 79 6F 75 ssword.@9Now you
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02F300: 69 6E 20 6D 65 6E 75 2C 20 FD 06 26 7E 17 79 6F in menu, ..&~.yo
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02F340: 09 53 7D 1C 6F 72 64 65 72 65 64 AC 41 56 73 6F .S}.ordered.AVso
02F350: 20 64 6F 6E 27 74 20 77 6F 72 72 79 20 69 66 20 don't worry if
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02F370: 61 63 74 20 69 6D 6D 65 64 69 61 74 65 6C 79 AE act immediately.
02F380: 42 15 46 69 6E 67 65 72 2D 50 72 69 6E 74 20 69 B.Finger-Print i
02F390: 73 20 61 20 70 75 62 6C 69 63 20 64 6F 6D 61 69 s a public domai
02F3A0: 6E FD 08 36 7C 04 AE 42 59 43 6F FD 06 44 7C 44 n..6|..BYCo..D|D
02F3B0: 52 45 44 20 44 52 41 47 4F 4E AE 42 A3 47 72 61 RED DRAGON.B£Gra
02F3C0: 70 69 78 20 62 79 20 53 4E 41 4B 45 AE 42 C9 43 pix by SNAKE.B.C
02F3D0: 6F 6D 6D 70 72 65 73 73 69 6E 67 20 62 79 20 43 ommpressing by C
02F3E0: 72 6F 77 6E 2D FD 08 28 75 2E 20 61 6E 64 20 45 rown-..(u. and E
02F3F0: 47 53 FD 09 FA 7F 14 AE 43 6C 54 68 65 20 47 65 GS......ClThe Ge
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02F420: 6F 6E 74 72 6F 6C 20 61 6E 64 20 6F 6E 65 20 6F ontrol and one o
02F430: FD 06 6A 7F 3B 6B 65 79 73 20 62 65 74 77 65 65 ..j.;keys betwee
02F440: 6E 20 54 41 42 20 61 6E 64 20 C9 43 E4 28 20 43 n TAB and .C.( C
02F450: 4F 4E 54 52 4F 4C 20 2B 20 5B 51 57 45 52 54 59 ONTROL + [QWERTY
02F460: 55 5D 20 2D 2D 3E 20 11 17 05 12 14 19 15 20 A9 U] --> ....... .
02F470: FF FF F3 CD 0F 00 3B 3B E1 01 9D F3 09 5E 23 56 ......;;.....^#V
02F480: 01 11 00 09 7E 23 4E FE FF CA 2D 82 FE 50 30 08 ....~#N...-..P0.
02F490: 3C 4F 06 00 ED B0 18 EC FE A0 30 08 D6 4D 4F 06 <O........0..MO.
02F4A0: 00 AF 18 70 FE F0 30 09 D6 9C 4F 06 00 7E 23 18 ...p..0...O..~#.
02F4B0: 63 FE FD 20 05 06 00 23 18 07 FE FE 20 0F 23 46 c.. ...#.... .#F
02F4C0: 23 D5 5E 23 56 23 E3 EB ED B0 E1 18 B7 D6 F0 20 #.^#V#.........
02F4D0: 0C 7E 23 C6 51 4F 06 00 30 09 04 18 06 3D 20 07 .~#.QO..0....= .
02F4E0: 23 46 23 ED B0 18 9D 3D 20 08 AF F5 7E 23 C6 53 #F#....= ...~#.S
02F4F0: 18 13 3D 20 06 23 46 23 AF 18 19 3D 20 10 7E 23 ..= .#F#...= .~#
02F500: F5 7E 23 C6 54 4F 06 00 30 01 04 F1 18 06 7E 23 .~#.TO..0.....~#
02F510: 4E 23 46 23 E5 0B 62 6B 13 77 ED B0 E1 18 C6 1E N#F#..bk.w......
02F520: 31 21 22 1F CD 7B 82 01 0C BC ED 49 04 ED 49 05 1!"..{.....I..I.
02F530: 0C ED 49 01 80 BD ED 49 F3 CD 9F 82 CD 96 82 FD ..I....I........
02F540: 06 AE 6D 0C 2E BD ED 49 FB CD 96 83 1E 2E 21 1E ..m....I......!.
02F550: 19 FD 06 32 82 F0 70 32 59 83 ED 49 01 30 BD ED ...2..p2Y..I.0..
02F560: 49 01 0D BC ED 49 01 00 BD ED 49 C9 CD 96 82 01 I....I....I.....
02F570: 02 BC ED 49 04 ED 59 01 06 BC ED 49 04 ED 61 05 ...I..Y....I..a.
02F580: 0C ED 49 04 ED 69 C9 06 F5 ED 78 1F D2 98 82 C9 ..I..i....x.....
02F590: 21 30 7C 56 23 5E 23 EB CB 74 CA B0 82 3E C2 18 !0|V#^#..t...>..
02F5A0: 02 3E CA 32 43 83 D5 1A CB 7F CA C4 82 E6 7F CD .>.2C...........
02F5B0: D5 82 C3 CB 82 CD D5 82 D1 13 18 EA D1 13 1A FE ................
02F5C0: FF C8 EB C3 A2 82 FE 20 D2 27 83 FE 11 C2 E5 82 ....... .'......
02F5D0: 01 7E 83 C3 4E 83 FE 17 C2 F0 82 01 6E 83 C3 4E .~..N.......n..N
02F5E0: 83 FE 05 C2 FB 82 01 86 83 C3 4E 83 FE 12 C2 06 ..........N.....
02F5F0: 83 01 66 83 C3 4E 83 FE 14 C2 11 83 01 8E 83 C3 ..f..N..........
02F600: 4E 83 FE 19 C2 1C 83 01 76 83 C3 4E 83 FE 15 C2 N.......v..N....
02F610: 27 83 01 5E 83 C3 4E 83 FD 1A B3 71 04 CB 77 C2 '..^..N....q..w.
02F620: 3A 83 FD 07 D0 71 FD 0A D8 71 05 CB 77 C2 50 83 :....q...q..w.P.
02F630: 23 FD 33 35 72 A0 66 0F 3C 00 F3 2A 38 00 22 37 #.35r.f.<..*8."7
02F640: 84 21 FB C9 22 38 00 FB FD 06 96 82 32 A6 83 06 .!.."8......2...
02F650: 06 10 FE F3 21 3E 84 01 01 7F 7E FE FF CA F5 83 ....!>....~.....
02F660: CB 7F CA D6 83 E6 7F ED 49 ED 79 23 AF 06 03 DD ........I.y#....
02F670: BE 00 10 FB BE BE 00 18 DE 23 ED 49 ED 79 7E 23 .........#.I.y~#
02F680: FD 08 CA 83 47 00 B7 CA B4 83 06 06 DD BE 00 10 ....G...........
02F690: FB 00 3D 18 F1 01 01 7F ED 49 0E 4B ED 49 3E 45 ..=......I.K.I>E
02F6A0: CD 0C 84 CB 7F CA 2D 84 FB C3 A4 83 01 C0 F6 ED ......-.........
02F6B0: 49 01 0E F4 ED 49 01 92 F7 ED 49 05 ED 79 06 F4 I....I....I..y..
02F6C0: ED 78 01 82 F7 ED 49 01 00 F6 ED 49 C9 FD 06 F5 .x....I....I....
02F6D0: 83 F0 11 54 ED 49 21 00 00 22 38 00 FB C9 5C 28 ...T.I!.."8...\(
02F6E0: CC DC CC CC C6 CC C6 C6 CA C6 CA CA C3 CA C3 CB ................
02F6F0: CB C3 CA C3 CA CA C6 CA C6 C6 CC C6 CC CC DC CC ................
02F700: DC DC 56 28 52 2A 4A 2F 52 1F 56 07 DC CC C6 CA ..V(R*J/R.V.....
02F710: CA C6 CC DC 56 07 52 18 FF 3E 02 CD 0E BC 01 C0 ....V.R..>......
02F720: 7F ED 49 AF 47 4F C5 CD 32 BC C1 C5 CD 38 BC C1 ..I.GO..2....8..
02F730: 3E 01 CD 32 BC FD 09 8E 6D 0D 21 2B 6C 11 00 C0 >..2....m.!+l...
02F740: 01 F6 08 ED B0 CD 80 81 FD 09 95 84 10 CD 06 BB ................
02F750: F3 ED 73 D5 84 11 00 00 31 00 80 01 F0 07 A4 D5 ..s.....1.......
02F760: 17 0B 78 B1 C2 C6 84 31 00 00 FB 21 00 C0 11 00 ..x....1...!....
02F770: 75 01 F6 08 ED B0 C3 80 A3 92 00 80 FD 10 23 75 u.......£.....#u
02F780: F0 12 F0 60 F3 21 E1 E9 22 26 00 CD 26 00 18 07 ...`.!.."&..&...
02F790: 01 01 0A 00 C0 00 00 23 23 7E 23 B7 28 03 E5 DD .......##~#.(...
02F7A0: E1 ED 73 26 00 DD F9 DD E1 D1 B7 28 06 01 96 00 ..s&.......(....
02F7B0: 09 18 01 E1 EB DD 19 EB ED 7B 26 00 7C DD BC 38 .........{&.|..8
02F7C0: 07 20 62 7D DD BD 30 5D 7E 07 38 2C 07 38 13 E5 . b}..0]~.8,.8..
02F7D0: 06 00 4E 62 6B B7 ED 42 ED A0 ED A0 ED A0 E1 23 ..Nbk..B.......#
02F7E0: 18 DA 7E E6 3F FD 06 1D 82 F1 DF 1B B7 62 6B ED ..~.?........bk.
02F7F0: 42 06 00 4F ED B0 E1 18 C4 07 38 14 07 38 1C 4E B..O......8..8.N
02F800: CB B9 06 00 23 ED A0 E5 62 6B 2B ED B0 E1 18 AD ....#...bk+.....
02F810: 7E E6 3F 4F 06 00 23 ED B0 18 A2 7E E6 1F 47 23 ~.?O..#....~..G#
02F820: 4E 23 ED B0 18 97 FB C9 C2 00 00 9F 00 9F 00 9F N#..............
02F830: 00 9F 00 9F 00 9F FD 09 A5 80 F0 10 96 00 C2 01 ................
02F840: FC 85 00 C1 3F 95 FF C2 C0 60 87 00 C5 30 00 18 ....?....`...0..
02F850: 00 0F 85 00 C4 06 00 00 C0 83 00 C1 03 97 00 C1 ................
02F860: 7C 86 00 97 FF 4D 50 00 C1 0C 45 0D 00 C4 06 00 |....MP...E.....
02F870: 01 80 83 00 44 05 00 94 00 C1 F8 86 00 84 FF 92 ....D...........
02F880: 00 C3 3F C0 30 87 00 C1 60 44 50 00 C1 0C 84 00 ..?.0...`DP.....
02F890: 5F 50 00 C1 0F 44 BD 00 C3 00 00 03 83 FD 06 FC _P...D..........
02F8A0: 80 34 18 87 00 C1 C0 44 50 00 45 44 00 5F 50 00 .4.....DP.ED._P.
02F8B0: C2 01 F0 85 00 C1 1F 83 FF 92 00 C2 3F C0 45 93 ............?.E.
02F8C0: 00 45 3E 00 C4 18 00 0C 00 44 AE 00 5E 50 00 C1 .E>......D..^P..
02F8D0: 3F 45 17 00 C1 01 85 FD 06 1B 81 18 06 86 00 C2 ?E..............
02F8E0: 03 00 45 50 00 44 0E 00 47 50 00 95 00 C2 07 E0 ..EP.D..GP......
02F8F0: 85 00 C1 0F 86 FD 06 37 81 14 47 C7 01 C1 06 46 .......7..G....F
RESULT OF SEARCH :
PRO=86 CHEA=3 COD=23 MUSI=9 COP=45 GRA=18 WRIT=23 198=0 199=7 STARTER=0 KBI=0 CAAV=0 L.TOURNIER=0
PRO=86 CHEA=3 COD=23 MUSI=9 COP=45 GRA=18 WRIT=23 198=0 199=7 STARTER=0 KBI=0 CAAV=0 L.TOURNIER=0
EXTENDED CPC DSK File SAMdisk170323( NAMIGA 'CONVERT ) CRIME V183
DIGITRAK !"#DIGITRAK $%&'()*+,-./012RDIGITRAKDOC3456789ABDIGITRAKDOCrCDEFGH
IJKLMNOPQLOGISTIC STUVWXYZabLOGISTIC cdefPROTR PROTR D06ghijklmPROTR
D1nopPROTR D2qrPROTR D3sPROTR D4tuvPROTR D5wxPROTR D6yzPROTR D7"PR
OTR D8PROTR D9RC-QUEST £RC-QUEST HSECURITYV12lAMIGA BINL #QO0 #F# #S #
F# #CrownCruncher1.0!*9w2Z22x!1!A!I!A!A08 )iAI!!M1x#y#yIyI#yI(IIyIEIxI#&o)))#zWz
z8W.1!", (.0 OTOO - AMIGA MSDOS CPC filecopy 1.2 public domain in summer 93 n
this program transfers any files from msdos to amsdos. you need an external 80 t
racks£ 1floppy whose sideselect-line has not been cut by a4Fswitch. if you want
to EEAmiga to Cpc FDos-2-DEformat a disc asE and to copy theEon it. then use EFt
heEtheFFto an a "G.Gmay now be up to 178k long. / / £/ £/ / / / £/ / /£ £/ / / /
- T4e!£!1!W!AR!E 6 9 QB I7 20(K2£2MSzA2A2!22O!!!Y!! !e!£!W !!#A5!q!9GG 0
2O!H!(!22B#B!A2BAS!d)(B)(7y(0)(&y(y( NMM(zS((2BG x(2BV C-h&)#F+! 452/ 2x2B !8
1o&)O2#. O72X0COCOnf"(!M8M qNVYM!!!4O!".!4nf"nf"!""2iR08(xG P0!0HPKGx £!!utsrsrA
wB0 $e!7Fring Y6, please wait K*R("7T #W##Vi)DMD8OM60y yO !!(# 7"C!F/d(!42#2 (#
VPR£!owSywwywYx!6#6R/C#I!!!2!7! (!wR-!n(#V#x08Q //S#xg8x w#z !xH (#y 2q222222
FP* NMRJT$iWCKR0 a22OMeMTcbNhD!CNOMPEB8AcAcG2h&%"2W N8x8 G ! 72"O#!Y!n!eWNQB"(*
!"y2OW!*"R9O x2II22222Q* !"y20'0Q((o&(&"7lPP'V y!Vy*Ve2222K(7(R2K(662 Kwo&ww
w222 p w6 6( 6rP T+!p2c2w(S VNFyO0 y( 0pWphVVc 6 6d6 i6r6n6 a6m#w# w#w+2(2'
#$ #' 6#6(2# p!! !bk E( Nwy# #8 ! Xs!.1 XTw#x8x0&+ . / (2O999GGy) IIOOV! 2d2
202R0(02 PQh&DLSAM)!7 !"*7#V##+#"A#zW#"7N(Z!X-ZIO-I,0& g+0 TTSAMIGADD D by Cro
wnA1. - 2. - 3. B-A 4. - AA,B see directory V change view+BESC at any tim
e to stop operationB / / // / / !C / £/ £/ / / / £/ / $ // !rC/ /£ £/ / /
/ // !Z 6)Acontrols up ... cursor up-leftAdowndown-rightKBF ... space or cop
y£BF#... returnBfrom $ to $6CfilesC&edSCfree on A CFdisc corrupt in Ano'Gin B!Gb
(mediumno entriesfree system data oQ pause, wanna really break error on A,
aborted.found, retry or ignore R#V#NP0O0MOp0O#c # #F##V# #QO0 #F# #S #F# ##TO0#
N#F#bkwause, wanna really break disc errorhtKBF ... space or copy£BF#... retur
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HI SEBASTIEN, THANKS FOR THEPOSTCARD.
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2 E E 1.3 -7 D7 MONO 8 BI1EL - 128K CPC OLD'N'NEW 'IONdebuged and improved vers
ion last update! - all code'n'design c/s$v - thisprogram is SHAREWARE , so sprea
d it and put it into your software-libraries, but if you likeuse it,pkvsend a do
b- of 10DM, 4£, 6$ OR 30F (banknote or coins) /
/ / / / / / / / / / // / // / /
/ / / / / / // / / / / / /// . / // / // / // // /
// / / / // /// /// /// / / / / / / // /
// // / / // // / // // // // / / / // / // / / // /
/ / / / / / / / / / / / / / / / / / / / / / /
/ // / / // // / / // / / / // / // ///// /// // // /////// //
/ / / // /// /// / DIGITRACKER 1.3 - 16 KHZ 3 CHANNEL MONO 8 BIT SAM
PEL TRACKER - 128K CPC (PLUS) /
/ ALL CODE'N'DESIGN 1993 BY P
RODATRON / SYMBIOSIS /
/ THIS PROGRAM IS
/
/ /
/
THAT MEANS, THAT IT IS FREE TO C
OPY, / PUT IT INTO YOUR SOFTWARE-LIBRARY, SPREA
D IT, BUT IF / YOU USE IT, YOU SHOULD SEND A DONATION OF 10DM,
4P, 6$ OR 30F TO /
/ JOERN MIKA, BERGSTR. 128, 47443 MOERS, GERMA
NY /
/ BUG-REPORTS AND MODULE SWAPPING ALSO WELCOME !
/ / UPDATE-INFORMATION Wh
at's new in this version (1.3) - more powerful sample-editor plot sa
mples, change their lenght, kill them directly in the editor, cut out a chos
en area, copy samples, change the volume (now in %), change Octaves, mix s
amples, combine them, backward them, smooth sample, create an echo- effec
t - other menu-organisation at two points - volume-stop-parameter (at which th
e c-commands behave like a stopper) will be saved together with th module. -
E60 behaves like a E5-command - all known bugs from v1.2 are removed (b-3 is
played correct on PSG, no ov Ner- flow with the 'Slide Down' Commando, it i
s possible to set 'Volume-Transfer' to 'YES' in the mod-converter)
0.) SMALL
INTRODUCTION DIGITRACKER now makes it possible Creating and playing sound
s, which are based on digital intruments (samples). Some facts...... - 645
12 bytes free for samples - 34 pattern (when pattern-lenght is set to 64) -
16667 herz sampleoutput (Digiblaster) - 14493 herz sampleoutput (Soundchip) -
96 Songpositions - 8 Bit-Digiblaster support for high-quality sound - most
ly Amiga-Protracker-effekt compatible, 17 effects (slides, vibratos, ar- peg
gios, position-loops, sample-offset...) - Powerfull sample-editor (echo, mix, s
mooth...) - MOD-converter for amiga-protracker-modules, samples can convert 1
1 or 12, so you can transform MODs with a maximum lenght of 161 KB! - player
code-generator, createst the external player-routine at any point in memor
y, so you can use DIGITRACKER-modules in your own proggs - powerfull playerrou
tine, any startposition, interrupts-possible (so even DE- MOS are possible!),
colorequalizer, equalizing rasterbar and more... - comfortable uniformity stan
dard-user-desktop - highspeed everywhere, because DIGITRACKER is written 100% i
n MCode DIGITRACKER consists of 3 modules - The main-module, DIGITRACKER i
tself. In here you can edit or create new MDLs (modules). - The MOD-CONVERT
ER, which converts Amiga-Protracker-MODs to Digitracker-for- mat, sample (Am
iga, PC...) and CPC-MOD transfer is possible, too - The PLAYERCODE-GENERATOR,
which creates an external player-routine for Digi- tracker-modules
1.) DIGITRACKER The stearing of DIGITRACKER i
s uniformity everywhere. Use CURSOR-keys for choo- sing and setting, COPY, RETU
RN or SPACE activates a function/option... All ope- rations can be aborted by p
ressing the ESC-key. From sub-Menus you come back to main-menu with ESC, too.
A module consists of two parts the samples and the patterns. Any piece of mu
- sic written with DIGITRACKER is build up from patterns. Each pattern contains
3 tracks (voices), which hold the music itself (the notes and so on). The so
ng- list contains the sequence the patterns will be played. The samples are dig
ital sounds, they are used in the song like different instruments. Sound-Pa
rameters (in the big parameter-window) ----------------------------------------
------- SngPos - actual position in the song-liste. Pattrn - pattern, which wi
ll be played at this position Height - difference from the norm-height, in wh
ich the pattern will be played (in halfnote-steps). Lenght - song-Len
gth. number of the positions in the song-list, which will be played,
until a repeat will be done LoopTo - repeat-point (after playing the whole son
g-list) Speed - playingspeed (delay in 1/50 seconds between two positions in a
pattern Out At - sound-output. A-C sound will be given out through a channel
of your poor sound-chip. D sound will be given out through the "digi
blaster" (a d/a-converter at the printer-port, which was present in
the "cpc amstrad international 8/9 1991") YOU SHOULD USE THIS LITTLE
HARDWARE, it brings you top sound-qualitiy! Sampel - actual sample (
for the pattern- and sample-editor) Edit-Parameters (in the small edit-windo
w) ------------------------------------------- Pat - pattern, which is present
in the pattern-editor window Oct - octave, which is chosen for the pattern-edi
tor Buf - position in the copy-buffer Len - number of positions in a pattern (
lenght of the patterns) Skp - number of positions, which will be skiped after s
etting a note/command... in the pattern-editor DISC OP. - discmenue
--------------------- LOAD SONG - load a module (samples+patterns+songdatas), e
xtensionMDL SAVE SONG - save the module LOAD SAMP - load sample, if there is s
till enough memory. extensionSMP attention old samples from DIGITR
ACKER v1.1 will not be accepted. please save them with v1.1 as a m
dl-file. this is loadable without any problems. SAVE SAMP - sa N
ve sample ERASE - kill module or sample from disc DRIVE A/B - cho
ose drive USER - change user-number hint After loading a mdl-file, t
he one in memory will be overwritten. only the pat- terns which are standing b
ehind the last pattern of the new song will survive. So it is possible to merge
songs. PLAY SONG - play the whole module ---------------------------------
- DIGITRACKER plays the module (it starts at 'SngPos'). PLAY PAT. - play ac
tual pattern -------------------------------- Only the pattern, which is prese
nted in the editor, will be played. EDIT SONG - edit actual pattern -------
------------------------- Every pattern contains 3 tracks, every track stands f
or one of the three voices (channels). Every track is subdivided into (norm 6
4) positions. One position has the following structure AAB CDEE AA - no
te (C,C#,D,D#...) B - octave (1-3) C - sample-number, which should be played
here D - command-number EE - command-parameters instead of the note+octa
ve (AAB) there can be nothing (---) or a stopper (RES), which turns of a (perha
ps) played sample in this voice. to set a note, press one of the following k
eys... chosen octave chosen octave + 1 -
-------+------------------------------+----------------------------- note
C# D# F# G# A# C# D# C# D# F# G# A# C# D# C D
E F G A B C D E C D E F G A B C D E --------+----------
--------------------+----------------------------- key S D G H
J L 2 3 5 6 7 9 0 Z X C V B N M ,
. / Q W E R T Y U I O P commands -------------------------------
------------------------------------------------ 0xy - normal play or arpeggio
(0-X-Y). X and Y in halfnote-steps. This command will produce a one-chan
nel chord. 1xx - slide up. this command slides the pitch up. XX is the speed. B
ig XX means fast sliding. 2xx - slide down. this command slides the pitc
h down. 3xx - tone portamento. this will automatically slide from the old not
e to the new (which has to stand before this command). XX is the speed
(00 means taking the speed from the last commando). 4xy - vibrato. Y is
the numbers of steps up/down, X is the length of the steps. Try it out yo
urself! (00 means taking the last parameters) 9xx - sample offset. With this yo
u can begin a sample at any position. if xx1D the sample will be played f
rom position #1D00. Bxx - position jump. Pattern break + going on at the posi
tion xx (in hex!) in the song-list. Cxx - turn of volume (perhaps).
If xx (in hex!) is equal or lower than the volume-stop-parameter (in t
he setup-menu) this command will do the same as a stopper ('Res'). No eff
ect in the other case. D-- - pattern break. pattern will be interrupted to go o
n in the next one. Exy - E-commands See below... Fxx - song-speed in hex!
5,6,7,8 and A are not used and haven't any consequences. E-commands -------
------------------------------------------------------------------------ E0x -
change output-channel. X can be 0, 1 or 2 and stands for one of the three
soundchip-channels (A,B,C). If digiblaster is active, this command shows
no effects. E1x - fine slide up. A large X means sliding at a slow speed. E2
x - fine slide down. E4x - vibrato waveform. X0 sine. X1 ramp down. E5- - loop
point. set position for E6 command. E6x - jump to loop. Jumps x-1 time to t
he point, which was setted by the E5- command. That means, that the area
between E5 and E6x will be repeated x times. E60 works like the E5 comma
nd (sets loop point). EDx - note delay. the note in front of this command will
be played after x*1/50 seconds. EEx - pattern delay. makes a break whi
ch takes as much time as you need, if x positions would be played. E3
,E7,E8,E9,EA,EB,EC and EF are not used and haven't any consequences. SONG LI
ST - edit song-list --------------------------------- The songlist consists of
two splits. On the one side there are the pattern-num- bers, which are play
ed at these positions. On the other side, there are the height-differences (in
halfnote-steps) in which the pattern are played. SAMPLER - edit samples --
--------------------- The actual sample is ploted, his name, length, repeat-b
egin and repeat-lenght are showed below. With cursor-keys you can change to an
other sample or choose a N sample-parameter now. By pressing RETURN it is po
ssible to change the chosen parameter. DEL will set the parameter to zero (by p
ressing DEL over the Lenght- Parameter you will clear the actual sample!). ENTE
R makes a copy of the sample. If the sample-lenght isn't zero, you enter the To
ols-Menu after pressing SPACE - CUT will cut out a cooseable part within the ac
tual sample - VOLUME change the volume of the sample (in percent, example 200%
give the sample the double of his loudness, 50% half of his sound-volume) -
OCTAVE shift sample one octave up ('U') or down ('D'). Octave up means
packing two sample-bytes in one ( half lenght, that brings perhaps a qua-
lity loss), octave down means double every byte ( no quality loss, but only p
ossible, when there is enough memory free) - MIX will mix two samples together,
target is the actual sample - BACKWARD will backward the actual sample - ECHO
creates an echo-effect. You have to set the volume, in which the echo came
s back (lower than 100% means, that the echo will become lower and lower, hig
her than 100% give the echo more and more power) and the position,at which th
e echo cames back at the first time. - UNITE combines the actual sample with th
e next one. After this, the next one will be killed. - SMOOTH smoothes the a
ctual sample. Makes the sample a bit deeper (deeppass), very high frequences
will thrown out. So the samples will be more softy... PRINTER - makes a song
dump --------------------------- Print-Songdatas YES means, that the module-
(patternlist, Song-Lenght,...) and sampledatas (name, lenght,...) will be pri
nted out, too, NO means, that Digi- tracker only makes a pattern-dump. First/L
ast Pattern the pattern-area, which DIGITRACKER have to print Lines/Page To ge
t a correct form-feed, you should use this parameter (0 omits a form-feed). I
f you use 12 inches paper, you should set this parameter to 72 (standard).
OTHERS ------- Setup - change several adjustments - EdPlaySamples normal YES.
In this case in the pattern-editor you will hear the played samples, when yo
u set notes or change octaves. NO omits that. - Song-Transpose General-height
of the whole song in halfnote-steps. In 11 Amiga-transfered songs, song-tra
nspose is set to 12 (12 0). - Pattern-Lenght number of positions in each patte
rn. - Palette-Number 0-7 screen-colors. - TonStop At Vol 0-63. Sets the limi
t, at which the C-Command behaves like a stopper ('Res'). Memory - Sampl
e-Memory How much is used for samples and how much is free. The samples are s
tored in the 2nd ram-bank of your 128k machine. - Patterndatas need... If you w
ant to use the Modules in your own proggs, this is important The number of
bytes (all in hex!) the song needs in the first ram-bank. - Song needs...on
Disc Important when you save the module on disc... Clear All - clear the com
plete song (patterns, samples und song-parameters) Clear Pattern - clear all pa
tterns and the song-list Clear Samples - clear all samples All three functions
are saved with a request. 2.) MOD-CONVERT
ER Today there are Amiga-MOD-Files (Protracker-Modules) by thousands. This
part of DIGITRACKER makes it possible to convert these modules into the MDL-Fo
rmat. First you have to transform the MOD-Files from Amiga/PC/... to CPC. T
his is no problem with programms like DOS-COPY (Face Hugger production), whic
h are able to copy MS-DOS Disks to CPC. Parameter (enter with TAB) -------
-------------------- - Source/Destination Drive A/B - Sample-Transfer 11 - di
rekt sample-transform (no quality loss). 12 - two bytes will be packed to
one, so the samples get the half of their original lenght ( long MODs can be
converted in this way) - Sample-Volumes NO - the samples get their original l
oudness. YES - the sam- ples get the volume, which was chosen in the MOD-File
. CONVERT MOD - convert Amiga-Protracker-Module ---------------------------
------------------- only possible, if the module hasn't too many patterns (
34), too many song- positions (96), too many samples (16) or to big samples (to
gether 63 KB when converting them 11, 126 at 12 converting-mode). In the ot
her case first the patterns will be converted.MOD-Patterns have 4 Voi- ces, so
you have to decrease them to 3 voices (by mixing or removing). You can do this
for each individual pattern N (take the 'per Pattern' option) or for the whol
e song ('per Song' option). Now you can remove one of the 4 voices by pressing
1 to 4 (only B,D and F com- mands will be saved, if there is place in on
e of the other tracks) or mix a voice into an other one by pressing 'M'. If mix
ing is chosen, you have to en- ter the 'Sourc Voice' (1-4), which will be mixed
in the 'Destination Voice' (1- 3). That means, that notes from the Source Vo
ice will only taken, if there is place for them in the Destination Voice. Exam
ple By Pressing M, 1, 2, the 1st channel will be mixed in the 2nd one (whi
ch was the 3rd on Amiga, but now the 2nd, because the 1st was removed). M, 3,
2 will mix the 3rd into the 2nd (which was the 2nd before, too). PRINT MOD -
Making a Amiga-Protracker-Module Dump ----------------------------------------
--------- This prints out an Amiga-Protracker-Module in the form you know
from lame amiga... CONVERT SAMPLE - PC, Amiga oder Drumming-CPC Samples ko
nvertieren ------------------------------------------------------------------
Choose the sample-typ you want to convert so DIGITRACKER-SMP-format - VOC-Fi
les Samples, which are used on PC (Soundblaster). - WAV-Files PC-samples, which
are often used in MS-Windows. - SAM-Files Amiga-samples. - INS-Files Samples
used in 'Drumming-CPC', the tool from Face Hugger, which should
demonstrate the Digiblaster. The parameter 'Sample-Transfer' will be noticed
in here, too! (11 or 12) If you want to convert amiga-samples ('SAM'), you
have to enter there lenght first, because with AmsDOS it isn't possible to fi
nd out the lenght of ASCII- files. CON.CPC-PROTRA. - convert CPC-MOD-files
to MDL-format ------------------------------------------------------ MODs, wh
ich was created with CPC-Protracker, will be converted to MDL-format without
any prblems. 3.) PLAYERCODE-GENERATOR T
his one is able to create an external player-routine for DIGITRACKER-modules
at (nearly) any point in the memory (you can't use #4000-#7FFF or 0-#200). T
he player-routine (its lenght is about 4KB) performs the following - load a mod
ule - play the loaded module ATTENTION Don't use v1.1-modules ('cos of th
e 8-bit samples)! Load them with Digitracker and save them again, than you can
use them with the player-routine. Now the description of the player-routine
and how to use it. The offset-values must be added to the start address
of the player-routine to get the right address. The following examples belon
gs to a player-routine, which starts at &3000 (AnfadrStartaddress of the player
-routine). (sorry, main-description in german, because I wasn't able to transla
te it...) + 00 Load a module (in a basic-program) CALL Anfadr+00 (
,start-address) ---------------------------------------------------------------
---------------- You have to open the module-file first (OPENIN"file"), then
you can use this CALL to load it to #5600 (if no 'start-address' is present)
or to 'start-add- ress'. That means, that the pattern-datas will be loaded
to this address (in the 1st ram-bank), the samples are loaded in the 2nd ram-ba
nk always at #200. (0-#200 in the 2nd ram-bank is used for tables and routines)
. Don't load the pattern-datas to used areas in the memory! Example OPENIN"SO
UND.MDL"CALL &3000,&4000CLOSEIN Loads 'Sound.Mdl', the patterns will be stored
at #4000. + 03 Play a module (in a basic-program) CALL Anfadr+03 (
,optionbyte (,start/patternnumber)) -------------------------------------------
------------------------------------ A loaded module will be played. If there i
sn't any 'start/patternnumber'(and no optionbyte) DIGITRACKER take 0 for it aut
omatically. 'optionbyte' is subdivided into 8 bits Bit 0,1 Output-channel
0-2 PSG (Soundchip) Channel A,B or C 3 Digi- blaster. Bit 2 0
Songplay. The complete module will by played ('start/patternnum-
ber' is the start in the song-list 'Songpos') 1 Patternplay. Only
one pattern will by played. It is the pattern, which is choosen
with the 'start/patternnumber'-parameter. Bit 3 1 turns on the equalizing ra
sterbar. Bit 4 1 turns on the colorequlizer (inks 1,2 and 3 are used). Bit
5 0 Copies the area from #100 to #200 behind the player-routine and
put it back after Nplaying. DIGITRACKER uses this area while
playing (set this bit to 0 if you don't understand it all...)
1 If you don't need this memory-area, you should set this bit to 1
(so the area behind the player-routine is free, now) Bit 6 1 Reques
ts the keys from f0 to f9. In the normal case, the player- routi
ne stops after pressing SPACE. If this bit is set to 1, the rout
ine stops when a f-key was pressed by the user, too! The num
ber of f-keys, which will be requested (and can be pressed), is
fixed in a value (read down the documentation). The pressed f
-key's number will be putted into another value (read down...) Bit 7 1 enabl
e interrupts. The player-routine has an own interrupt-hand- ler.
This becomes active, when this bit is set to 1. Every frame the
re are 6 interrupts. The addresses of the 6 routines have to be
fixed in a table (read down...) Exampls - CALL &3003,3 output port is Dig
iblaster, nothing more. - CALL &3003,1+4,3 playes the 3rd pattern through chan
nel B of the Soundchip - CALL &3003,8+32 playes through Channel A, Rasterbar i
s active and the area from #100 to #200 will not be saved - POKE &3000+12,5C
ALL &3003,3+16+6PRINT PEEK(&3000+13) playes through Di- giblaster with acti
ve colorequalizers, f0-f4 will be requested. After playing the pressed f-key
will be printed - CALL &3003,128,10 starts song at position 10 with enabled in
terrupts + 06 Load a module (in a mcode-program) HLaddress ------
------------------------------------------------------------------------- Don't
forget to oben the file before (with CALL #BC77) and close it after this comm
and (CALL #BC7A)! + 09 Play a module (in a mcode-program) AOptions
byte, BStartposition/Patternnummer + 12 Number of requested f-keys -------
------------------------------------------------------------------------ Value
Number of f-keys, which will be requested, if bit 6 of the optionbyte is set t
o 1. Example 5 means, that the keys f0,f1,f2,f3 and f4 will be re- quest.
+ 13 (indirect) number of the pressed f-key f-key byte 12 - byte 1
3 -----------------------------------------------------------------------------
-- After finishing the playing-procedure, you can ascertain the number of
the pressed f-key by this value (if bit 6 of the option byte was setted to
1). Example Value +12 (number of requested f-keys) is set to 5. After playing,
this value (+13) contains 2, that means, that the user has pressed f3 (5-2). Tr
y it out yourself! + 14 Escape-Byte -------------------------------------
------------------------------------------ After making a CALL Startadr+3 (B
asic-Songplay) or a CALL Startadr+9 (MCode- Songplay), this value is setted to
0. If its content changes during playing the module (that is possible with int
errupt-routines), the player stops. This fact makes it possible to escape f
rom the playing-procedure in an other way than pressing Space (or pressing a f-
key). + 15 pen-number of the equalizing rasterbar (0-15, 16border) + 16
,17 colors of the rasterbar and the area around it ---------------------------
---------------------------------------------------- Don't use the basic-color
s, use the (real) colors of your gate-array. The fol- lowing table shows them
00 - 84 04 - 88 08 - 77 12 - 94 16 - 71 20 - 83 24 - 74 01 -
68 05 - 93 09 - 86 13 - 64 17 - 79 21 - 90 25 - 67 02 - 85
06 - 76 10 - 70 14 - 95 18 - 82 22 - 89 26 - 75 03 - 92 07 -
69 11 - 87 15 - 78 19 - 66 23 - 91 + 18-33 colortable for ink-
equalizer ---------------------------------------------------------------------
---------- This table contains all colorvalues, which will be runned through wh
en the ink- euqalizer is active. Use the colors of the gate-array (table above)
. + 34-45 addresses of all six interrupt-routines ------------------------
------------------------------------------------------- Here you have to put t
he six 16-bit addresses, at which the interrupt-routines start (if bit 7 of the
option-byte is setted to 1). (the six values contain the address #000F, if y
ou don't change them, so that DIGITRACKER always will make a Call to #F (if int
errupts are actvie). #F contains a RET command normally. Some hints for the int
errupt-routines - Don't ch Nange the index-registers (IX,IY). If you need them
in your interrupt- routines, save them first (PUSH, POP at the end...) - Pu
t a RET command at the end of your interrupt-routines. - You can place the in
t-routines at every point in the 1st ram-bank (not from #100 to #200). - Eve
ry interrupt-routine (they are six) will be called one time in a 1/50 se- co
nd. - For democoders, the following could be important The 1st of the 6 routi
nes gets the interrupt, which comes directly after the frame-fly. The follo
wing interrupts will be allocated to the other routines in the right sequence
. - Don't make too long interrupt-routines! 10 rasterlines are the absolutely m
a- ximum. - As more cpu-time the int-routis need, as deeper and slower will
be the sound- output! - If interrupts are enabled, the area from #100 and de
eper will be used for the stack-pointer! 4.) AUF
BAU DER MDL-DATEIEN (MODULE) (sorry guys, only in german!) Die Song-Modu
le (MDL-Files) liegen im ASCII-Format vor und bestehen aus zwei Bloecken - D
er erste Block enthaelt den Datenkopf (Songname, Laenge, Songliste usw...)
und die Pattern. Dieser wird immer in die erste Ram-Bank geladen. - Der zweite
Block besteht aus den in der angegebenen Reihenfolge hintereinan- derliegend
en Samples. Die ersten beiden Bytes geben die Laenge des ersten Blockes an
, Bytes 3 und 4 die Laenge des zweiten Blockes. Die Laenge des ersten laesst si
ch mit folgender Formel ausrechnen Laenge 512 + 9 * Patternlaenge * Patternan
zahl Die Laenge des zweiten Blockes erhaelt man, wenn man die Laengen aller Sa
mples addiert. Dahinter folgt direkt der erste Block. 1. Block Song-Kop
f und Pattern ------------------------------- - Songkopf Dieser ist 512 Byt
es gross und folgendermassen aufgebaut + 000 Modulname (8 Bytes) + 008 Na
men der 16 Samples, auch jeweils 8 Bytes + 136 Songliste 2*96 Bytes. Das ers
te Byte gibt jeweils die Patternnummer, das zweite die Hoehe (Transpos
ewert in Halbtonschritten, normalerweise 0) an + 328 Sampledaten 8*.
.. - Samplelaenge (1 Word) - Repeatbegin (1 Word)
- Repeatlaenge (1 Word). + 424 Songlaenge (1 Byte). + 425 Patternlaenge (1
Byte) kann 1-99 sein. Normalerweise 64, gibt die An- zahl der Position
en innerhalb eines Pattern an + 426 Loop To (1 Byte). Position in Songliste, z
u der nach Songende gesprun- gen wird + 427 Songspeed. Frames zwisch
en zwei Noten (normalerweise 6) + 428 Songtranspose, liegt zwischen 0 und 12(i
n Halbtonschritten). + 429 Modul-Version. 0 bedeutet, dass die Samples in di
esem Modul in 8-Bit vorliegen, Bei 7-Bit Samples (neue Version) steht
hier eine 1. + 430 Volumeuntergrenze. Gibt an,ab welchem Wert sich das C-Komma
ndo wie ein Stopper verhalten soll. + 431 Ab hier sind alle Bytes bi
s Offset 511 unbenutzt und daher 0. Sie sind fuer eventuelle Erweiteru
ngen vorgesehen - Pattern Hier folgenden die Informationen fuer die belegten
Pattern. Jede Po- sition (normalerweise gibt es davon 64 pro Pattern) beste
ht aus 3*3 Bytes (3 Bytes fuer jeden der drei Kanaele). Die drei Bytes pro
Kanal haben folgende Bedeutung - 1 Note. 0 bedeutet nichts ('---'), 1-36
stellen die Noten fuer die 3 Ok- taven dar (1C-1,2 C#1,3D-1,....35A#3
,36B-3), 37 steht fuer einen Stopper ('Res') - 2 Das Highnibble di
eses Bytes gibt die Samplenummer an,das Lownibble die Effectnummer.
- 3 Die beiden Nibbles dieses Byte geben die genaue Spezifizierung des Ef-
fekts an. 2. Block Samples ----------------- Der 2. Block, der d
irekt hinter dem ersten steht, enthaelt die Sampledaten. Die Samples liegen i
n der vorgegebenen Reihenfolge hintereinander (8 Bit, Vorzei- chenlos. At
this moment there are over 300 DIGITRACKER-modules. If you are registered, y
ou will get the complete module-list by requestion. You get all modules you
want, if you send me back-postage and disx. DIGITRACKER CONSISTS OF NEARLY
1 1 0 0 0 LINES OF ASSEMBLER-SOURCECODE. Thanx and Greetz to - BSC fuer Ve
rbesserungsvorschlaege und 'ne Menge Small-Talks ueber Digisound - MADE hope to
see you soon at SymbiosiS - KANGAROO MUSIQUE ebenfalls fuer Verbesserungsvorsc
hlaege. Sorry, dass ich Dir d Nas Teil nicht zum Vertrieb gegeben hab, aber
das lag wohl mehr an Dir... - K-OS fuer Bug-Reports und die Module, die Du scho
n ruebergezogen hast prodatron/SYMBIOSIS, 01.11.1993
SYMBIOSIS-PRODUCTION 1993 / / // F ASSEMBLER-SOURCECODE. Tha
nx and Greetz to - BSC fuer Verbesserungsvorschlaege und 'ne Menge Small-Talks
ueber Digisound - MADE hope to see you soon at SymbiosiS - KANGAROO MUSIQUE eb
enfalls fuer Verbesserungsvorschlaege. Sorry, dass ich Dir d A
/ / / // / / / / // // //
/ // // // // / / // / // / / // // / / // // / / // / / / / / /
// / // / / //// / / / / / / / / / / // / / / / / // / / /
to the belowstanding address. bug reports and module-swapping are also welc
ome!makes itpossible to cV amiga-T s or to createown on cpc'em inxs!£ JOERN MIKA
c-d7'93£ BERGSTR. 128£ d - READ'x/K.DOC' - 47443 MOERS / GERMANY
jHFOR MORE INFORMATION!! (0!K,yHx!Kf$!p#V#NP0O0MOp0O#c # #F##V# #QO0
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,PRIN, SE, kin FPU,Db,", FPU, b,",MEMOCR b,",PROTR DO099Crown
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AL INFO SOURCECODE 58K/5456 LINES ASM TIME
2.51 MINUTES WORK TIME 4 HARD WEEKS PATTERNS 56 SAMPLEDAT
A #D900 SAMP.RATE 181 (METHOD 1) SAMP.RATE 323 (METHOD 2) SAMP.RA
TE 429 (DIGIBLASTER ASSEMBLER MAXAM 1.5 ROM EDITOR PROTEXT 1.22 ROM
THIS PROGRAM USES THE MAXIMUM POWER OF YOUR CPC. OTH
ER HIGH-TECH PRODUCTS BY CROWN
CRIME 1.8 BAD MAG 2 CRUNCHER 1.4
SUPERMONITOR 1.4+ TURBO IMPLODER 1.1 AMIGA-MSDOS-CPC COPY
1.2 PROTRACKER MOD CONVERT 1.0+ ATTENTION THE LE
GENDARY 'THRILLER OF CADJO CLAN' WILL NOW HOPEFULLY CONTINUE THE "BAD MAG"
(ISSUE 3). I'M VERY SORRY FOR THE HUGE DELAYS, BUT, WITHOUT MY CODING SE
SSIONS THIS PROGRAMWOULDN'T BE POSSIBLE. IN TH
E NEXT I WANT TO SEND A FEW HI'S AND HELLO'S TO SOME PEOPLE IN ORDER TO TELLT
HEM I'M SORRY FOR BEING THAT LAME IN WRITING BACK. DON'T GET ANGRY IF YOUR N
AMEDOESN'T APPEAR IN THE HOLY LIST BELOW.
HI SEBASTIEN, THANKS FOR THEPOSTCARD.
THANKS TO MR.AMS FOR YOUR IDEAS TO MY "
CRIME". YOH BAD ERROR, THANKS FOR THE MUSIC
EQUIPMENT AT THE BENG! PARTY '93. YOHOO
MADE OF DISC FULL, YA COOL BABE. THANKS FOR YOUR VERY GREAT BAD MAG PICS!!! Y
OU'LL GET THE SOUNDTRAKKER SONGS WITH THIS DISC. HELLO ELMSOFT. I'M VERY
SORRY FOR OUR MISUNDER- STANDINGS. I TOLD YOU HOW ITHAPPENED. I REALLY AD
MIRE YOUR WORK.
HELLO SIMON WARFORD. I'M SORRY FOR NOT HAVING WRITTENBACK TO YOU T
ILL NOW. THANKSFOR YOUR CHRISTMAS CARD.
THANKS TO THE SIX PACK FOR THEIR POSTCARD FROM BRITAIN.HI DS
C, OLD MATE. HOPE YOU ARE DOING WELL. THANKS FOR BEING SUCH A GOOD LEADER. T
HANKS, TOO, FOR THE BEER, THE MAXI AND ALWAYS HOT STUFF. WITHOUT YOUR MENTA
L HELP I PROBABLY WOULDN'T BE WHAT I AM NOW. KEEP ON WORKING FOR THE CPC.
WE NEEDYOU.
HELLO JAN ARILD THELAND. I REALLY THANK YOU FOR WRITINGME. SORRY FOR
THE DELAY. YOOH YOOH COON. WHAT TIME IS IT IT'S ON PAST CO! I LOVE YOUR
PSEUDO. REALLY. THANKS FOR POSTCARD. HOW IS GREAT BRITAIN DOING CEE YA.
HELLO TO MAGIC SOFTWARE. YEPP
, DENIS, YOU ARE SOOOOO COOL. THANKS FOR THE PIC. I'LL SEND YOU MY ONE, OKAY
NA GWM, ALTER RAUBI. WEGEN DIR MUSS ICH EXTRA IN TEU
TSHSCHREIBEN. GEILE KARTE. CU SO, JETZT HAB ICH KEIN BOCK MEHR AUF ENGLISCH. HA
LLO KALLE, DAS BAD MAG HASTE JA BEKOMMEN. MACH DAS BESTE DRAUS. DU BIST EI
NER UNSERERBESTEN CODER UND VON UNS ALLEN AM LAENGSTEN DABEI. WIE BIST DU N
UR AUF DEIN COOLES PSEUDO GEKOMMEN! JA JA ICH WEIS, HASTE SCHON X- MAL ERZAE
HLT. SCHADE, DASS DU NICHT MEHR SOVIEL ZEIT ODER LUST AUF DEN CPC HAST, WIE F
RUEHER. DER CPC, EINE KINDEREI ACH WAS. ES MACHT HALT IRRE SPASS, AN DER PR
OGRAMMIERTECHNIK IMMER WEITER RUMZUFEILEN, NEUE SACHEN RAUSZUFINDEN, ZU PR
O-'BIER'EN UND IMMER BESSER ZUWERDEN, JAHR FUER JAHR. IMMER OEFTER ABER NICH
T IMMER KOMMEN DANN HALT DIE TOLLSTEN SACHEN DABEI RAUS.
HI LINK OF NECRON, SCHADE, DASS HIER KEIN PLATZ MEHR FUER IRGENDWEL
CHE GRAFIKEN GEBLIEBEN IST. ANSONSTEN BIST IMMER NOCH DER BESTE! HI BSC, DEI
N SOUNDTRAKKER IST WIRKLICH SUPER. WAS SACHSTE ZU MEINEM SAHNE- MAESSIG
EN PROTRACKER VIEL GLUECK NOCH BEI DER ROM- VERSION VOM SMON1.4+.
HI J0RN LORENTZEN.
HI ZONK, DANKE FUER DEN NETTEN BRIEF.
HI TIC, WHAT'S WRONG WITH YOU WHAT ABOUT PEN- FRIENDSHIP NO MORE SW
AP! HI RED STORM ENTERPRISES! HI JOKER.
HELLO AST, I'M SO SORRY FOR THE DELAY - BU
T HERE'S THE RESULT. CEE YA, GOOD MAN! HIHOE TOUG
. THANKS FOR THE CANARD DECHAINE. WHAT'S UP WITH THE CNR
KEITH! THANKS FOR POSTCARD AND AF. N I REALLY LIKE YOUR
FANZINE BUT I HAVE NO TIME. HELLO BAUD! WILL WRITE BACK.
HI PANTERA. I'LL WRITE YOU. HALLO ODIE, DU BIST
ECHT EINUNGEWOEHNLICHER CODER. DEINEDEMOIDEEN SIND IRGENDWIE SO UNORTHODOX. UND
TROTZDEM GELINGT ES DIR IMMER WIEDER,DEINE UNGEWOEHNLICHEN IDEEN IN DIE TAT U
MZUSETZEN. HI FACE HUGGER,DEIN ULTIMATEMEGADEMO
IST EBENSO EIN UNI-KAT WIE DIE SPIELE VOM EGS. HALLO OAS, HIER HAST DU SIE ENDL
ICH 8-BIT SUPER SAMPLESIN 4 KANAELEN AUF DEM CPC IN CD-QUALITAET! YEAAAAHHHH,J
AAAAA, WAS GEIL! DU HATTESTRECHT ES GEHT DOCH! DANKE FUER DIE POSTKARTE.
HI RAINBIRD/DEMONIAK.
HELLO MERLIN PD.
HIHOE SCHIOPPA RAPHAEL, SMALL CODEUR. THANKS TO SONY
FOR THE GREATHIFI-EQUIPMENT, TO SKINNY
PUPPY, FRONT 242 (THE NEW ALBUM 'OFF' IS OUT NOW!), THE ORB AND DANCE 2 TRANCE
FOR GREAT MUSICS, TO MATHIAS HOLTMANN FOR COOL"S
WF3 EXTRASPAET" HOT-SUMMER-MID-NIGHT-VIDEOCLIP SHOWS.
SOMETHING YOU'D LIKE IN THE NEXT VERSION HAVE
YOU FOUNDANY BUGS OR DO YOU JUST WANT TO PLAY TIC-TAC-TOE BY MAIL
ANYWAY, WRITE TO
CROWN OF BENG! PF 2828 6695
4 PIRMASENS GERMANY
KER 1.0+ 8'93" db " --
---- SOMETHING YOU'D LIK
E IN THE NEXT VERSION HAVE YOU FOUNDANY BUGS OR DO YOU JUST WANT TO PLAY TIC-
TAC-TOE BY MAIL ANYWAY, W
RITE TO PROTR DO199Crown5
AINSC MAINSCREEN ---------- ## PLAY ##
WILL PLAY THE SONG FROM THE CURRENT POSITION IN THE SONG. I
F SHFT OR CTRL IS PRESSED IT WILL JUMP TO THE BEGINNING OF THE SONG BEFOREPLA
YING. ## PATTERN ##
WILL PLAY THE CURRENT PATTERN WHICH IS SHOWN AT LOWER LEFT END OF THE S
TATUSBAR. ## EDIT ## WILL PUT YOU INTO T
HE EDIT MODE. USE THE ARROWKEYS TO MOVE UP/DOWN AND LEFT/ RIGHT IN THE PA
TTERN. ENTERING A NOTE OR A NUMBER WILL CAUSE THE PATTERN TO JUMP THE SE
LECTED NUMBER OF STEPS THAT IS SHOWN IN THE UPPER LEFT END OF THE STATUSBAR.
## SONGLIST ## WIL
L PUT YOU INTO THE SONG- LIST EDITOR. ## DISCOP ##
WILL GO TO THE FILE REQUESTER.
## HELP ## THIS WILL PUT YOU HERE.
## OTHERS ## THIS WILL LEAD TO A MENU WITH A FEW OPTI
ONS CONCER- NING THE WHOLE PROGRAM. ## SAMPLER
## THIS WILL LEAD YOU TO THE VERY POWERFUL SAMPLE-EDITOR.KEYS IN
THE MAINSCREEN ENTER/COPY/SPACE SELECT CTRL+
SHFT+ESC RESET O AUDIOCHANNEL A ON/OFF P AUDIOCHANNEL B ON/OFF AUD
IOCHANNEL C ON/OFF SELECT PLAYROUTINE (METHOD 1, METHOD 2, D
IGIBLASTER) GO ONE PATTERN UP GO ONE PATTERN DOWN INC
REASE SONGPOSITION / DECREASE SONGPOSITION CAPS LOWER/HIGHER MANUAL SHFT
OR CTRL TOGETHER WITH A KEY FROM THE KEYPAD OR THECURSOR KEYS WILL SELECT A
SAMPLE (1 TO F) AND PLAY IT.THE ACTUAL SAMPLEINFO IS DISPLAYED IN THE STATUS
BAR.
AINSCREEN " db " ---------- " db "## P
LAY ## /HIGHER MANUAL SHFT OR CTRL TOGETHER WITH A KEY FROM THE KEYPAD OR
THECURSOR KEYS WILL SELECT A SAMPLE (1 TO F) AND PLAY IT.THE ACTUAL SAMPLEINFO
IS DISPLAYED IN THE STATUS BAR.
N 2*G$#"D2A!O2H!W5(22c2!""gO"!" 9*F2x29z222IYO(02/!
8!A£2s1prTyKy80!222 2!&-2&2&!8"0 !"2K22,2K!"IIyIHIxIW1IyD2!9E "2c9VK22!*"9! "!P!
PROTR DO299Crown protr.do2" db 4 db " DISC
DISCOP ------ ## LOAD MOD ##
WILL DIR THE DISC OF THE CURRENT DRIVE AND DISPLAYS THE DISCTYPE (D.ATA/S.YS
YEM)AND THE FREE DISCSPACE. SELECT A MODULE AND IT WILL BE LOADED.
## SAVE MOD ## WILL SAVE THE MO
DULE TO THE CURRENT SELECTED DRIVE.
## LOAD SAM ## WILL DIR THE DISC IN THE ACTUAL D
RIVE AND GIVE INFOS ABOUT THE DISC. SELECT A SAMPLE AND IT WILL BE LOADEDTO T
HE CURRENT SAMPLE. ## SAVE SAM ##
WILL SAVE THE CURRENT SAMPLETO THE CURRENT SELECTED DRIVE. THE SAMPLEINFOS
(REPEAT, REPEND) ARE SAVED AS WELL.
## DRIVE A ## WILL DEFINE THE
A DRIVE AS THE ACTUAL DISCDRIVE. ## DRIVE B #
# DEFINES THE B DRIVE AS THE CURRENT DISCDRIVE.
## DEL FILE ## WILL DIR THE ACTUAL DISC. SELE
CT A FILE AND IT WILL BEKILLED IMMEDIATELY.
KEYS IN THE DISCOP
CURSOR KEYS TO MOVE WITHIN THE MENU
SPACE/ENTER/COPY SELECT TAB LOWER/HIGHER M
ANUAL SHFT OR CTRL TOGETHER WITH A KEY FROM THE
NUMBER PAD ORCURSOR KEY WILL SELECT A NEWSAMPLE AN PLAY IT ON.
protr.d
o2" db 4 db " DISCOP " db " ------
" db "## LOAD MOD ## CURSOR KEYS TO MOVE
WITHIN THE MENU SPACE/EPROTR D
O399CrownI
OTHERS ------ ## PALETTE ## USE THI
S TO CHANGE THE COLORS. ##
NAME SONG ## DEFINE THE NAME OF THE SONG.
## CLEAR SAMPLES ## THIS WILL CLEAR ALL THE SAMPLES.
## CLEAR SONG ## TO CLEAR ALL THE PA
TTERNS. KEYS SPACE/ENTER/COPY
SELECT ESCAPE GO BACK TO MAINMENU CURSOR MOVE WITHIN THE MENU
db " ------ " db "## PALETTE ## P
ROTR DO499Crown BE PLAYED AT C-2 ELSEWAY ON C-3.
SAMPLER ------- ## LENGTH ##
IN THIS OPTION YOU CAN CUT OR LENGTHEN THE SAMPLE AT THE END IN #0100 STEPS.
USE THE CURSOR KEYS CHANGE THE LENGTH
## REPEAT ## HERE YOU CAN SET THE REPEAT-START OF THE SAM
PLE IN #0001OR #0100 STEPS WITH THE CURSOR KEYS UP/DOWN OR LEFT/RIGHT. PRESS
ESC TO SKIP OR ENTER/SPACE/COPY TO TAKE OVER THE NEW VALUES.
## REPEND ## TO SET THE REPEAT-END OF THESAMP
LE. USE CURSOR KEYS TO SET VALUE IN #0100 STEPS.
## COPY ## USE THIS TO COPY A SAMPLE TOTHE ACTUAL SAMPLENUMBER.
## CLEAR ## CLEARS THE ACTUAL SA
MPLE. ## NAME ## GIVE A NAME TO T
HE SAMPLE. N ## CUT ## CUT SOMEW
HERE WITHIN THE SAMPLE. USE THE CURSOR KEYS TO MOVE THE POINTER ACROSS THE S
AMPLE. PRESS ENTER/COPYOR SPACE TO SELECT, OR ESC TO SKIP.
## UPSAMP ## THIS WILL UPSAMPLE THE
ACTUAL SAMPLE CAUSING IT TO SHIFT ONE OCTAVE UP. THIS OPTION WILL KILL
EVERY SECOND BYTE CAUSING A LOSS OF QUALITY AT THE SAMPLE.
## DNSAMP ## TO DOWNSAMPLE THE ACTUAL SAMPLE CAUSIN
G IT TO SHIFT ONE OCTAVE DOWN. NO LOSS OF QUALITY.
## MIX ## WILL MIX TWO SAMPLES TOGET
HER. TARGET IS THE ACTUAL SAMPLENUMBER. #
# VOLUME ## MANY SAMPLES TAKEN FROM THE AMIGA ARE NOT LOUD ENOUGH
FOR USE ON THE CPC. USE THISTO POWER UP THE VOLUME. IT IS BETTER TO SET T
HE VOLUME IN ONE BIG STEP INSTEAD OF SEVERAL SHORTER ONES. SO YOU BETT
ER COPY THEDESIRED SAMPLE AND MAKE A TRY WITH THIS OPTION ON IT.
## BACKWD ## WILL BACKWARD THE ACTUAL SAMPLE!
KEYS IN THIS SUBMENU SPACE/
ENTER/COPY SELECT ESCAPE SKIP SAMPLER CURSOR MOVE WITHIN MENU CAPS
LOWER/HIGHER MANUAL PRESS SHFT OR CTRL TOGETHER WI
TH A KEY FROM THE KEYPAD OR CURSOR WILL SET A NEW SAMPLE AND PLAY IT ON.
AT LOWER MANUAL IT WILL BE PLAYED AT C-2 ELSEWAY ON C-3.
------ " db "## LENGTH ## L BACKWA
RD THE ACTUAL SAMPLE! KEYS IN THIS SUBMENU
SPACE/ENTER/COPY SELECT ESCAPE SKIP SAMPLER CURSOR
MOVE WITHIN MENU CAPS LOWER/HIGHER MANUAL PRES
S SHFT OR CTRL TOGETHER WITH A KEY FROM THE KEYPAD OR CURSOR WILL SET A NEW
SAMPLE AND PLAY IT ON. AT LOWER MANUAL IT WILLPROTR DO599Crownm
SONGLIST
-------- KEYS
CURSOR UP/LEFT MOVE ONE STEP UP IN THE SONGLIST.
CURSOR DOWN/RIGHT MOVE ONE STEP DOWN.
SHFT+CURSOR UP/LEFT MOVE TO THE TOP OF
THE SONGLIST. SHFT+CURSOR DOW
N/RIGHT MOVE TO THE BOTTOM. CRTL+CURSOR
LEFT/RIGHT DECREASE OR INCREASE THE PATTERNNUMBER IN THE SONGLIST
. CRTL+CURSOR UP/DOWN CUT O
R INSERT A POSITION FROM OR INTO THE SONGLIST. CO
PY COPY THE PATTERNNUMBER INTO THE POSITION BELOW.
ADD ONE TO THE SONGLIST AT THE END.
CUT THE LAST POSITION FROM THE SONGLIST.
ESCAPE LEAVE SONGLIST EDITOR.
db "KEYS COPY THE PATTERNNUMBER INTO T
HE POSITION BELOW. ADD ONE TO THE SONGLIST AT THE END. Z
ZXXVVVVVVVTRNJFB88DDFDB840,*((((((((&$""""&*06FLRXZZXVTTTTTVTTRNJFB888BDFFFD40.*
*******(&&$"""&*08FLRXZZZXVTTTTVVTTRNJFB888BDFFFDB62.,*****,**(&$"""&*06FLTXZZXV
TTTTTTTTTRNJF888BDFFFDB62.,********(&$"""&*06FNTXZXVTRRRTTTTTRNJF888BDFHFFB62.,*
***,,,*(&$"""&*06FLTXZZXVTRRRTTTTTPNJF888BDFHHFB62.,***,,,,,*(&"""&*.6FNTXZZXVTR
RRRTTTRPNHD86668BDHHHFB62.,***,,.,,*(&$""$(.6FNTZZVTRPPPRRTTTRNJD86668BFHHHFD62.
,**,,...,*(&$""$(.6FNTXPROTR DO699CrownPSORKEYS TO- GETHER WITH CTRL TO WRIT
E SAMPLEDRUMS INTO EDIT ----
HIGH NOTEKEYS 2 3 5 6 7 Q W E R T Y U
LOW NOTEKEYS S D G H J Z X C V B
N M CAPS SELECT HIGHER/LOWER M
ANUAL. TAB/SHFT+TAB INCREASE/DECREASE
NSTEPNR. CURSOR LEFT/RIGHT MOVE CURSOR
RIGHT OR LEFT. CURSOR UP/DOWN MOVE ONE
POSITION UP OR DOWN IN THE PATTERN. SHFT+C
URSOR LEFT/RIGHT MOVE CURSOR ONE TRACK LEFT OR RIGHT.
SHFT+CURSOR UP/DOWN MOVE EIGHT POSITIONS UP OR
DOWN IN THE PATTERN. SHFT+F7/8/9/4/5/6/1/2/3
MOVE TO PATTERNPOSITION 0/8/16/24/32/40/48/52/63.
SHFT+F0 INSERT A NOTE INTO THE ACTUAL TRACK.
SHFT+. (KEYPAD) CUT A NOTE FRO
M THE ACTUAL TRACK. DEL DELETE
NOTE OR COMMAND. ESCAPE EXIT PATTERNEDITOR. ENTER
PLAY THE ACTUAL PATTERNPOSITION.
COPY START PLAYING FROM THE AC
TUAL PATTERNPOSITION. THE CURSOR WILL MOVE TO THE LAST POSITION PLAYED.
SHFT+COPY PLAYS THE PATTERN FROM
THE ACTUAL PATTERNPOSITION WITHOUT MOVING THE CURSOR.
SHFT+, COPY TRACK TO BUFFER.
SHFT+. CUT TRACK TO BUFFER.
SHFT+/ PASTE TRACKBUFFER TO TRACK.
SHFT+L COPY WHOLE PATTERN TO
BUFFER. SHFT+
CUT WHOLE PATTERN TO BUFFER.
SHFT+ PASTE PATTERNBUFFER TO PATTERN.
INCREASE PATTERNNUMBER. DECREASE PATT
ERNNUMBER. O AUDIOCHANNEL A ON/OFF. P AUDIOCHANNEL B ON/OFF. AUDIOCHANNEL
C ON/OFF. DEFINE PLAYROUINE (METHOD 1, METHOD 2, DIGIBLASTER
) CRTL TOGETHER WITH A NUMBER FROM THE K
EYPAD OR CURSORKEYWILL SELECT A SAMPLE AND PLAY IT ON.
CLR DEFINE KEYBOARD MODE.
THERE ARE THREE DIFFERENT KEYBOARD MODES, INDICATED B
YNONE, ONE OR TWO DOTS NEXT TO THE HIGH/LOW MANUAL INDICATOR IN THE STATUS
BAR.PRESS CLR TO TOGGLE BETWEEN THESE THREE MODES
NO DOT PRESSING A KEY FROM THE MANUAL WILL SET
A NOTE AND THE ACTUAL SAMPLENUMBER INTO THE PATTERN. ONE DOT
SAMPLEZERO-FUNCTION IS NOW SELECTED. PRESSING A KEY FROM THE
MANUAL WILL ONLY RESULT IN TYPING A NOTE INTO THE PATTERN WITHOUT SETTI
NG A SAMPLENUMBER. DEL WILL ONLY KILL A NOTE IF THIS MODE IS ACTIVE.
TWO DOTS DRUMPAD IS ACTIVE NOW. USE
KEYPAD AND CURSORKEYS TO- GETHER WITH CTRL TO WRITE SAMPLEDRUMS INTO THE P
ATT. " db " ---- " db " R INTO THE PA
TTERN. ONE DOT SAMPLEZERO-FUNCTION IS NOW SELECTED
. PRESSING A KEY FROM THE MPROTR DO799Crowni
EFFECT COMMANDS ---------------
0 - NONE/ARPEGGIO 8 - * NOT USED *
9 - SAMPLEOFFSET B - POSITIONJUMP C - SET VOLUME
D - PATTERNBREAK E - MISC. COMMANDS F - SET SPE
ED ALL OTHER COMMANDS NOT IMPLEME
NTED. E - COMMANDS
------------ E6 - PATTERNLOOP
E8 - * NOT USED * EE - PATTERNDELAY
ALL OTHER COMMANDS NOT IMPLEMENTED.
CMD 0. ARPE
GGIO RANGE$0-$F/$0-$F N----------------------------USAGE $
0 + 1ST HALFNOTE ADD + 2ND HALFNOTE ADD ARPE
GGIO IS USED TO SIMULATECHORDS. THIS IS DONE BY RAPIDLY CHANGING THE PITCH
BETWEEN 3 (OR 2) DIFFERENT NOTES. IT SOUNDS VERY NOISY AND GRAINY ON MOST SAMPL
ES BUT OK ON MONOTONE ONES.
CMD 9. SAMPLEOFFSET OFFS$00-$FF-------------------
---------USAGE $9 + SAMPLEOFFSET THIS COMMAND WIL
L PLAY FROM A CHOSEN POSITION IN THE SAMPLE AND NOT FROM THE BEGINNING. T
HE TWO NUMBERS EQUAL THE FIRST TWO NUMBERS IN THE LENGTH OF THE SAMPLE.HANDY FO
R SPEECH-SAMPLES.
CMD B. POSITION-JUMP POS$00-$7F---
-------------------------USAGE $B + POSITION TO CONTINUE AT.
THIS COMMAND WILL ALSO PERFORM A PATTERN-BREAK
(SEE2 PAGES BELOW). YOU CAN USE THIS COMMAND INSTEAD OF LOOPTO AS ON SOUNDTR
AKKER BUT YOU MUST ENTER THE POSITION IN HEX!
CMD C. SET VOLUME
VOLUME$00-$40----------------------------USAGE $C + NEW VOLUME
NOTE THIS COMMAND WILL NOT SET THE VOLUME TO A DESIRED VALUE. IT
JUST TURNS THE VOLUME OFF IF THE NEW VOLUMEIS $00! YOU CAN'T PUMP UP THE V
OLUME AGAIN BY GIVING A NON-ZERO VALUE.
CMD D. PATTERN-BREAK
PATTERN-POS00-63, DECIMAL----------------------------USAGE $D + PATTERN-POSIT
ION THIS COMMAND JUST JUMPS TO THE NEXT SONG-POSITIO
N AND CONTINUES PLAY FROM THE PATTERNPOSITION YOU SPECIFY.
CMD E6. P
ATTERNLOOP LOOPS$0-$F----------------------------USAGE $E
6 + NUMBER OF LOOPS THIS COMMAND WILL LOOP A PART
OF A PATTERN EXAMPLE C-2 0E60
SET LOOPSTART. C-2 0E63
JUMP TO LOOP 3 TIMES BEFORE PLAYING ON.
CMD EE. PATTERNDELAY NOTES$0-$F---------------------
-------USAGE $EE + NOTES TO DELAY PATTERN.
THIS COMMAND WILL DELAY THE PATTERN THE SELECTED NUMBERSOF NOTES.
ALL OTHER EFFECTS ARE STILL ACTIVE WHEN THE PATTERN IS BEING DELA
YED.
CMD F. SET SPEED SPEED$00-$FF-----
-----------------------USAGE $F + SPEED TH
IS COMMAND WILL SET THE SPEED OF THE SONG.
" db "
CMD F. SET SPEED
SPEED$00-$FF----------------------------USAGE $F + SPEED
THIS COMMAND WILL SET THE SPEED OF THE SONG. DJJHDBBF
JF.$"*48* $240*,4HHFDHLTXTNJHFLNNNJJJLJF66BDDBHLNJDBBHJF8,"&08&(660,(0JJJDDHRXVR
LFHLPRPJHHJJF86DDFJNNHDBDHH2($(22"(00.,,6BHJJHHLRTTRLJJNRRPLHHHFDB8BD8HLPPJFDDFH
4,(,26. $*,..2DJLLHJNRRPNLLNPRPLJHFDBBB8BHLNNHFFFFB60**,460("(..2DHLNLLNPPRRPPPP
RTPJHFDBBB8FJNNJHHFHF40,,02,( &*06FJLJLLNRPRPRPPRRRLJFDBBBBB88DJNPNJJHFFB62..040
& $&*2HLNLJHNRTTRPNPRTVPJFDBBBBBDB866FPPNHFDFHD80.,484&&(&$"*8FLNLDDLTVXTPNPRT
VRLHFDBDDDFFBPROTR DO899Crowna
GENERAL INFO ------------ MAKING MUSIC
------------ ANY PIECE OF MUSIC WRITTEN WITH PROT
RACKER IS BUILT UP FROM PATTERNS. EACH PATTERN IS BUILT UP FROM 3 TRACKS, ONE F
OR EACH OF THE CPC'S AUDIOCHANNELS. A
PATTERN IS 64 LINES LONG. THE MAGNIFIED LINE IS ALWAYSTHE ONE YOU EDIT. I NF Y
OU NEED SHORTER PATTERNS,USE ..THE PATTERNBREAK EFFECT COMMAND.
A TRACK IS BUILT UP LIKE THIS
32 C-2 1 C20 / /
POS NOTE SAMPLE EFFECT-CMD. THE C-2 I
S THE NOTE BEING PLAYED AT PATTERNPOS.32, THE1 IS THE SAMPLENUMBER AND THE 3
LAST DIGITS ARE THE EFFECT COMMAND, .. IN THIS CASE, SET VOLUME TO $
20 (C-COMMAND, 20 VALUE). (PLEASE NOTE THIS COMMAND DOESN'T SET THE VOLUME IN
THIS VERSION. REFER TO EFFECT PAGES.)
PROTRACKER HOLDS A TABLE WITH INFO ABOUT THE SEQUENCEIN WHICH THE PATTE
RNS WILL BE PLAYED. SEE THE SONGLIST PAGES FOR FULL DETAIL. THE FULL SEQUENCE
OF PATTERNS ISTHE SONG. A SONG IS BUILT UPFROM UP TO 64 DIFFERENT .. PATTERNS,
EACH BEING PLAYED AT UP TO 128 DIFFERENT POSITIONS.
SAMPLE ------ PR
ESS CTRL (OR SHFT) TOGETHER WITH A KEY FROM THENUMBERPAD OR CURSORKEY TO
SELECT A SAMPLE. YOU CAN USEUP TO 15 OR HEX $F SAMPLES IN A SONG.
SAMPLE ZERO FUNCTION -------------------- THIS PREVENTS
PROTRACKER FROM SETTING THE VOLUME AND TRIGGERING A SAMPLE EACH TIME YOU P
LAY A NEW NOTE. THE SAMPLE-ZERO FUNCTION IS INDICATED BY A SMALL WHITE DOT NE
XT TO THE MANUAL STATUS (HIGH/LOW) IN THE STATUS BAR.
DRUMPAD -------
THE TWO DOTS IN THE STATUS BAR INDICATE THE DRUMPAD MODE IN WHICH YOU
CAN USE THE KEYPAD AS A DRUMPAD (IN EDIT MODE). IF LOWER MANUAL IS ACTIVE YOU'
LL GET A C-2, ELSEWAY A C-3.
--------- " db "MAKING
MUSIC DRUMPAD
------- THE TWO DOTS IN THE STATUS BAR INDICATE TH
E DRUMPAD MODE IN WHICH YOU CAN USE THE KEYPAD AS A DRUMPAD (IN EDIT MODE).
IF LOWER MANUAL IS ACTIVE YOU'LL GET A C-2, ELSEWAY A C-3.
PROTR
DO999CrownS S
TATUS-BAR ---------- THE STATUS-BAR HOLDS INFOR- MATION
S ABOUT THE KEYBOARD STATUS, THE SONG AND THE ACTUAL SAMPLE.
FIRST LINE OF STATUS BAR, LEFT CORNER-
KEYBOARD STEP THIS IS THE NUMBER OF
POSITIONS THE PATTERN JUMPS DOWN AFTER AN INPUT (IN EDIT MODE). RANGE 0
-9. LOW/HIGH MANUAL THIS IS INDICATED BY AN L OR AN H. IN LOW-M
ODE THE KEYPAD OR DRUMPAD SAMPLES WILL BE PLAYED WITH A C-2, ELSEWAY WITH
A C-3. DOTS THE NUMBER
OF DOTS NEXT TO THE H/L MANUAL INDICATOR TELLS ABOUT THE KEYBOARD STATUS
NONE/ONE OR TWO DOTS REPRESENT NORMAL MODE/ ZEROSAMPLE-FUNCTION OR DRU
MPAD MODE. SAMPLENAME THIS IS EIGHT CHARACTERS
LONG. SAMPLENUMBER
IS THE ACTUAL SAMPLENUMBER. RANGE $1-$F.
LENGTH LENGTH OF THE ACTUAL SAMPLE.
REPEAT THE REPEAT POSIT
ION OF THE ACTUAL SAMPLE. REPEND THE REPEAT-EN
D OF THE ACTUAL SAMPLE.
SECOND LINE OF STATUS BAR, LEFT C
ORNER- PATTERNNUMBER THE
ACTUAL PATTERNNUMBER DISPLAYED.
SONGNAME IS EIGHT CHARACTERS LONG. SONGPOSITION
ACTUAL POSITION IN THE SONGLIST. RANGE 001-128.
PATTERNNUMBER THE PATTERNNUMBER OF THE ACTUAL SONGPOSITION
. NOTE THIS MUSTN'T BE THE ACTUAL DISPLAY NED PATTERN.
SONGLENGTH EQUAL THE LENGTH OF THE SONGLIST.
RANGE 001-128. AUDIOCHA
NNEL A LIGHT A CHANNEL A IS ON. DARK A CHANNEL A IS OFF.
AUDIOCHANNEL B LIGHT B CHANNEL B IS ON. DARK
B CHANNEL B IS OFF. AUDIOCHANNEL C LI
GHT C CHANNEL C IS ON. DARK C CHANNEL C IS OFF.
OUTPUT TO DIGIBLASTER/CPC LIGHT D TO DIGIBLASTER DARK D TO CPC LOUDSPEA
KER THE DIGIBLASTER IS A
VERY CHEAP D/A CONVERTER WHICH YOU MAY BUILD UP YOURSELF (SEE NEXT PAGES
FOR MAP). THE DIGIBLASTER USES PORT $EF (THIS IS THE PRINTER- PORT) WITH B
IT 7 INVERTED.
DIGIBLASTER CIRCUIT MAP P 1
--1K----------* R 2 --150K-15K--* I 3 --82K-1K----* N 4 --39K-2K
2---* T 5 --10K-10K---* E 6 --10K---------* R 7 --4K7-220---*
8 --2K2-100---* P .-----* O 9 ------*--470---* R
! ! T ! ! AUDIO YOU NEE
D CHEAP SI DIODES 1
% RESISTORS 470 A TRIMMER A CENTRONICS CONNECTOR AND
A CONNECTOR FOR YOU AUDIOSIGNAL.
" db " ---------- " db "THE STATUS-BAR!
AUDIO YOU NEED CHE
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ciJd&MD.g17ZR. H,)d)-C)47)RR)#J400Z0*,EJ#pdJ0obo+/..-n(r6!)ypG&r 'p4'8R£)XuJReQ
#8%JGHxHaRxQn bR(AifyP#ISECURITYV12p55£!" !)!) )#, , * FINGER PRINT (v1.2) by
THE TWINS in autumn 1993%wait for next UPDATE --- v1.3$ Greetinx to all CPC-f
ighters!pq4+lCrownCruncher1.0GHC282!C6yxI(IW!xGH2822 2Pl I Pl$01u!x2u3Xv5Dx4uxB
!wnu!nuz!N#Fz W S##F#N!Ow#z nu loPlI2&!Jy!Jy!Jy!Jy!Jy!&Jyu*B"u*m!&6z 2m1xy!z!z!z
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oOz(yZw#ubkDyZ#Z#!zx0Ozy yy*tOy($,y#"wy.y2z*y#"6!4(PyPy%y.R-*+"+ z+Py!zzzqPG '
N'''''''''zWz w#w#w#w#w#w#z zCz+zNzzYz3zdzzozzzz#zzzzTI&o8)))BK#xGzIT zWz#2z% z2
zq rN% &T/wg0fflcclffffxvffffffff8ll8ff%.%.Please type the name of the File in P
ress or for next page or press 'E' for edit datasCCrownCruncher1.0T£YPQP£ZR SU
PQU PRSWQu.S£VQCu/Ga£W£ZRSUPu4QV P v)SVQv3S£VQwUv0R LW v3RSUcvIvVw) S 0w CwUkw w
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z+%"£VPY"Qzz-£Z QNUJ1QR)SWQ Xm £ !£ u%£Z uuu Sv v#V£X VQ LvAAThis product is m
ade by THE TWINS in '93£It's a so called security program for the addresses of y
our contactsso if some cops come to visit you, they won't get ya'll's VThevis s
imilar to a normal2 manager, but it's lots saver than itbecause all datas will b
e coded before saving on a disc. That's why no cop osomebody else could readH%an
d informationsAt first you have tor in a five-letter-peronal-codeword, which you
should write dow*somewhere)or simply recallrtime if you need the*Take care for
using small or upper case sTone morr a key to acknowledgepassword9Now youSente m
ain menu, &you can choose what everantBctheySorderedAVso don't worry if tdoesn't
react immediatelyBFinger-Print is a public domain6BYCoDDRED DRAGONB£Grapix by S
NAKEBCommpressing by Crown-(u. and EGSClThe German umlauts getKrControl and one
ojkeys between TAB and C( CONTROL + QWERTYU -- #V#N-P0O0MOp0O#c # #F##V# #QO0 #
F# #S #F# ##TO0#N#F#bkw1!"IIIIm.I.!2p2YI0I IIIYIaIix!0V##t2C 'NnNNfNNvN'Nqwq qwP
#35rf*8"7!"82!Iy##Iy#GIKIE-IIIyxIITI!"8(V(R*J/RVVRIGO282m !+ls1x1!u£#u!"&& ###(s
&(&8 b08,8NbkB#bkBO88N#bk+O#G#N#0MPE D0DPPD4DPEDPEEDPEEPDGP7GFTous droits réservés. Reproduction sans autorisation interdite. © Kukulcan